“With ‘Dead & Beautiful,’ Verbeek foreshadows the inevitable clash between the progressive leaders of tomorrow and conservative vampires who seek blood. As new generations of wealth emerge, will the enlightened prioritize reality over their personas?”
“Denis Villeneuve’s ‘Dune: Part One’ is a worthy addition to the collection, besting the Lynch film in certain ways but still flummoxed and frustrated by the source material’s conversation-heavy downside.”
“Like its predecessor, ‘The Souvenir Part II’ is defined by its open spaces; the silences in conversation, the gap between ‘action’ and ‘cut,’ the clouds between the memory of how something happened, and the reality of it.”
“‘Halloween Kills’ may not be to everybody’s tastes, but there’s a reason for that ‘kills’ in the title, beyond attention-grabbing marketing. The word refers not just to Michael himself but the rot at the core of Haddonfield…”
“The ‘cinematic’ moviegoing experience is gradually taking shape once more, not just the notion of spectacle, but stimulation of the mind and conscience.”
“Holland and Sodaro are so effortlessly good together, their characters evoking the kind of visual contrast unforgettably rendered by Stan Laurel and Oliver Hardy…”
“Despite a variety of shortcomings that encompass eye-rolling fan-service lollipops and unresolved narrative threads, there is much to savor in ‘The Many Saints of Newark.'”
“‘V/H/S/94’ is a thoroughly decent installment despite its relatively slight nature. It’s a film which invites the audience to have a lot of fun but keeps an air of spooky credibility intact…”
“Kilmer’s personal observations and insights are always engaging in ‘Val’ and occasionally yield details and particulars that allow viewers to peek behind the curtain of fame.”
“The magic of Hadzihalilovic’s ‘Earwig’ comes in the form of its suggestion that viewers abandon their expectations and preconceptions about what cinema should be and what a story can be.”
“‘Sundown’ is in the curious position of being a step backwards, while at least not plumbing to the ideological depths of ‘New Order’ to quite the same extent.”