“‘After’ plays it too safe start to finish. And aside from whatever discussions might emerge concerning the representation of toxicity, masculinity and toxic masculinity, the lack of originality is the film’s Achilles heel.”
“‘Ash Is Purest White,’ Zhangke’s latest film, is another masterful chapter of the director’s artistic journey, one that works wonderfully as a point of entry into his oeuvre.”
“‘The Souvenir’ is an infuriating but ultimately rewarding experience set to inspire deep criticism and analysis.”
“There is little doubt that ‘Gabriel Over the White House’ was a test balloon of sorts, priming the audience for a discussion on the merits of the strongman leader, asking them what they would be willing to sacrifice in order to ameliorate the national plight.”
“With surprising poignancy, ‘Asako I and II’ channels the humbling smallness of life’s journey, and the human tendency to resist this banal, often disappointing reality with self-delusion.”
Marshall Shaffer Interviews ‘Cold War’ Star Joanna Kulig
“The presence of Binoche in ‘Let the Sunshine In’ is a bit of brilliance that taunts and challenges the viewer; if Isabelle can’t find lasting, fulfilling tenderness and companionship, what chance do the rest of us have?”
“This truly does feel like a religious fable farmed out via an automated word generator, one funded by corporate studio execs and programmed by Madison Avenue hacks and Instagram influencers.”
“‘Zack and Miri Make a Porno’ is a lot like a modern ‘When Harry Met Sally,’ for broke 30-somethings rather than wealthy, super-hot business types.”
“Sex and death may be inseparable, but, to the commune of queers and pornographers of ‘Knife + Heart,’ so are sex and life.”
“‘The Age of Innocence’ and ‘The Remains of the Day’ both explore strict societal expectations, unwritten rules and how they box people in, keeping them unhappy.”
“As in ‘Ida,’ Pawlikowski offers little exposition, which leaves the audience to gather any and all clues.”
“Gaga’s mere presence in ‘A Star Is Born’ allows Cooper a wide berth to go big with scenes and moments that play with and embrace camp.”
“It’s a confusing enterprise all around, but — at the very least — ‘Female Human Animal’ is unlike anything else out there, for better or worse.”
“Within the power plays of a self-aware love triangle, Garrel examines love, sex and companionship and tries to get to a point where everyone meets and exists in perfect harmony. It’s a tug of war between these three, and the final result is basically a test of which one outlives the others.”
“Directed with sensitivity by Jon M. Chu, ‘Crazy Rich Asians’ pokes fun at frivolity and the pretenses of the rich while letting loose with some lavish fun across vast picturesque landscapes.”
“‘The Philadelphia Story’ situated itself at a turning point in 20th century history, between the destitution of the Great Depression and the destruction of World War II (along with the following boom). It’s in this moment, one of not knowing where America would end up next, that the film exists…”
“I’ve always had a soft spot for ‘Summer Stock’ — it may not be the most innovative or exciting of Kelly’s films, but it’s an unpretentious movie that delights in the pure pleasure of musical entertainment, from the outright silly to the romantically sincere.”
“Sayles’ wonderful gem might not receive the attention it deserves — even in the realm of LGBTQ cinema — but it contains a message that undoubtedly resonates today: no one needs to apologize for who they love.”
“Deitch’s trailblazing film demonstrates that representation will always be essential.”
