“While a number of combat films released in 1943 focus almost exclusively on the male war effort, ‘So Proudly We Hail!’ finds nobility, heroism, anger, racism, sacrifice and camaraderie in its female characters.”
“The desperate need to locate hope and light (and maybe even love where those things are in short supply) recommends ‘Queen & Slim,’ especially at a time of frustration and division.”
“At once riveting and entertaining, while inciting in the viewer visceral and arduous self-reflection, ‘Marriage Story’ is an uncompromising and deeply affectionate reflection on what pulls us apart and yet what keeps us bound together despite it all.”
“Judy the Actress and Judy the Icon may have been one in the same after all.”
“Based on ‘Oui mais non’ and ‘S.D.R.,’ Dubé seems fully capable of tackling various genres, and taking the medium forward into the future.”
“Though the polizieschi may seem far away from the quiet nobility of the Neorealist films, with all their sober-minded social critique, they are bound together by the privileging of the real world.”
“In ‘Martin Eden,’ the games that Marcello plays with form and structure coalesce into an immensely moving film, which — grounded by the standout turn from Marinelli — offers a new direction for the stale “Great American Novel” adaptation.”
“‘The Souvenir’ is essential viewing for devoted cinephiles.”
“‘The To Do List’ not only made me feel comfortable with my sexuality and my body as a woman, but it also helped me understand that sex is natural and organic.”
“By experiencing Almodóvar’s films as the product of a man whose view of the world is deeply affected by a variety of nagging medical concerns, only a few late period works thoroughly scratch under the surface of his psyche.”
“For a story that engages with tough, thorny questions of redemption and reconciliation, it’s a welcome development to have a filmmaker look upwards, not inwards.”
“In Malick’s effort to capture the alienation that accompanies modernity, in his contemporary-set films, he ultimately achieves a similar alienation cinematically.”
Romantic Comedy Interview: Vague Visages’ Pablo Staricco Cadenazzi discusses the 2019 documentary with filmmaker Elizabeth Sankey.
“A sense of restlessness began to be addressed tentatively, and was confronted with increasing boldness as the decade progressed. Battles were being waged on multiple fronts of this unacknowledged war, claims were being sought from historically neglected constituents.”
“‘Carmilla’ proves to be a successful adaptation that will appeal to anyone looking for some unearthly shivers, or a coming-of-age story where being conscious of one’s own sexuality takes centre stage.”
“The rom-com isn’t dead. It was simply evolving into something more interesting, more modern and more accepting.”
“With his concern for the outsider, and his reorienting of the West’s perception in the American mind, Peckinpah helped to birth the Acid Western.”
“Despite entertaining directorial flourishes often accompanied by striking stock footage cutaways — from Carl Sagan to a history lesson on Black hair care products — Russo-Young can’t set her hooks into much beyond the postcard images of the Big Apple.”
“Those seeking some deep-dive exploration into Tolkien and his process will likely get more out of a standard biography or documentary. As it stands, ‘Tolkien’ is a merely adequate celebration of the author and the power of art.”
“Written and directed by Michael K. Feinstein, ‘The Browsing Effect’ highlights the beauty of lasting connections. Despite pressing too hard on social media tropes, the film includes numerous charming performances and genuine laugh-out-loud moments.”
