Soundtracks of Cinema: ‘The Princess Switch 3’
‘The Princess Switch 3’ Soundtrack: A Vague Visages guide for every featured song in Mike Rohl’s 2021 Netflix movie.
‘The Princess Switch 3’ Soundtrack: A Vague Visages guide for every featured song in Mike Rohl’s 2021 Netflix movie.
‘Home Sweet Home Alone’ Soundtrack: A Vague Visages guide for every featured song in Dan Mazer’s 2021 Disney+ movie.
‘Home Sweet Home Alone’ Cast: A Vague Visages guide for every main performer and character in Dan Mazer’s 2021 Disney+ movie.
The Wonder Years Soundtrack: A Vague Visages guide for every featured song in the ABC series reboot.
‘The Wonder Years’ Cast: A Vague Visages guide for every main performer and character in Saladin K. Patterson’s ABC series remake.
‘Nightbooks’ Cast: A Vague Visages guide for every main performer and character in David Yarovesky’s 2021 Netflix movie.
‘An Unfinished Life’ Cast: A Vague Visages guide for every main performer and character in Lasse Hallström’s 2005 movie.
‘Cinderella’ Soundtrack: A Vague Visages guide for every song in Kay Cannon’s 2021 Amazon movie.
‘Cinderella’ Cast: A Vague Visages guide for every main performer and character in Kay Cannon’s 2021 Amazon movie.
Mrs. Doubtfire Cast and Characters: A Vague Visages Guide for Chris Columbus’ 1993 Film Starring Robin Williams
“‘Lamya’s Poem’ is best suited for streaming distribution since the documentarian Kronemer only shows a trying ability to accomplish theatrical flair. Still, a parent viewing the film with children can surrender to its spell and ambition, and forgive its lags.”
Dipankar Sarkar Interviews ‘Chronicle of Space’ Filmmaker Akshay Indikar
“Whatever ‘The Witches’ gains from its desire to provide computer-polished eye candy is hampered by the impersonal corporate feeling which results from this approach.”
“At its seemingly lugubrious heart, ‘Return to Oz’ is an ode to imagination; a celebration of the weird and wonderful worlds of our own making, in which we find sanctuary and satisfaction.”
“A sharply-shot film, ‘Brotherhood’ effectively uses the short running time to question familial responsibilities/motives, and the central performances make Joobeur’s planned feature adaptation even more intriguing.”
“That Cornish has managed to make two films that can easily be viewed as thoughtful ruminations on the state of Britain in the centre of two national crises should be applauded.”
“This is a cinematic autobiography that feels both grounded in personal history and expanded upon and imagined.”
“‘Family’ is a gorgeous looking film with framing and editing that is often exquisite. It boasts a palette of rich earth tones and vivid dark colors that are beautiful but oppressive, much like the film itself.”
“Ultimately, it seems that the film’s pleasant and inoffensive affect is exactly what Roth intends. The work is unassuming, competently handled and ably colored within its established lines. It aims clearly and unwaveringly to please a young target audience.”
Leslie Hatton Previews the Brooklyn Horror Film Festival 2018