Soundtracks of Cinema: ‘The Princess Switch 3’
‘The Princess Switch 3’ Soundtrack: A Vague Visages guide for every featured song in Mike Rohl’s 2021 Netflix movie.
Soundtracks of Cinema: ‘Home Sweet Home Alone’
‘Home Sweet Home Alone’ Soundtrack: A Vague Visages guide for every featured song in Dan Mazer’s 2021 Disney+ movie.
Know the Cast: ‘Home Sweet Home Alone’
‘Home Sweet Home Alone’ Cast: A Vague Visages guide for every main performer and character in Dan Mazer’s 2021 Disney+ movie.
Soundtracks of Television: ‘The Wonder Years’
The Wonder Years Soundtrack: A Vague Visages guide for every featured song in the ABC series reboot.
Know the Cast: ‘The Wonder Years’
‘The Wonder Years’ Cast: A Vague Visages guide for every main performer and character in Saladin K. Patterson’s ABC series remake.
Know the Cast: ‘Nightbooks’
‘Nightbooks’ Cast: A Vague Visages guide for every main performer and character in David Yarovesky’s 2021 Netflix movie.
Know the Cast: ‘An Unfinished Life’
‘An Unfinished Life’ Cast: A Vague Visages guide for every main performer and character in Lasse Hallström’s 2005 movie.
Soundtracks of Cinema: ‘Cinderella’
‘Cinderella’ Soundtrack: A Vague Visages guide for every song in Kay Cannon’s 2021 Amazon movie.
Know the Cast: ‘Cinderella’
‘Cinderella’ Cast: A Vague Visages guide for every main performer and character in Kay Cannon’s 2021 Amazon movie.
Know the Cast: ‘Mrs. Doubtfire’
Mrs. Doubtfire Cast and Characters: A Vague Visages Guide for Chris Columbus’ 1993 Film Starring Robin Williams
Annecy International Animated Film Festival Review: Alexander Kronemer’s ‘Lamya’s Poem’
“‘Lamya’s Poem’ is best suited for streaming distribution since the documentarian Kronemer only shows a trying ability to accomplish theatrical flair. Still, a parent viewing the film with children can surrender to its spell and ambition, and forgive its lags.”
An Interview with ‘Chronicle of Space’ Filmmaker Akshay Indikar
Dipankar Sarkar Interviews ‘Chronicle of Space’ Filmmaker Akshay Indikar
Review: Robert Zemeckis’ ‘The Witches’
“Whatever ‘The Witches’ gains from its desire to provide computer-polished eye candy is hampered by the impersonal corporate feeling which results from this approach.”
The Heroic Horror of ‘Return to Oz’
“At its seemingly lugubrious heart, ‘Return to Oz’ is an ode to imagination; a celebration of the weird and wonderful worlds of our own making, in which we find sanctuary and satisfaction.”
Review: Meryam Joobeur’s ‘Brotherhood’
“A sharply-shot film, ‘Brotherhood’ effectively uses the short running time to question familial responsibilities/motives, and the central performances make Joobeur’s planned feature adaptation even more intriguing.”
Attack the Headlines: How Joe Cornish’s Films Subvert Gloomy British News Stories
“That Cornish has managed to make two films that can easily be viewed as thoughtful ruminations on the state of Britain in the centre of two national crises should be applauded.”
Looking Back at 2018: In Praise of Carla Simón’s ‘Summer 1993’
“This is a cinematic autobiography that feels both grounded in personal history and expanded upon and imagined.”
Brooklyn Horror Film Festival Review: Veronica Kedar’s ‘Family’
“‘Family’ is a gorgeous looking film with framing and editing that is often exquisite. It boasts a palette of rich earth tones and vivid dark colors that are beautiful but oppressive, much like the film itself.”
Eli Roth Replaces Trademark Irreverence with Quiet Reverence for ‘The House with a Clock in Its Walls’
“Ultimately, it seems that the film’s pleasant and inoffensive affect is exactly what Roth intends. The work is unassuming, competently handled and ably colored within its established lines. It aims clearly and unwaveringly to please a young target audience.”
Preview: Brooklyn Horror Film Festival 2018
Leslie Hatton Previews the Brooklyn Horror Film Festival 2018