“That Cornish has managed to make two films that can easily be viewed as thoughtful ruminations on the state of Britain in the centre of two national crises should be applauded.”
“This is a cinematic autobiography that feels both grounded in personal history and expanded upon and imagined.”
“‘Family’ is a gorgeous looking film with framing and editing that is often exquisite. It boasts a palette of rich earth tones and vivid dark colors that are beautiful but oppressive, much like the film itself.”
“Ultimately, it seems that the film’s pleasant and inoffensive affect is exactly what Roth intends. The work is unassuming, competently handled and ably colored within its established lines. It aims clearly and unwaveringly to please a young target audience.”
Leslie Hatton Previews the Brooklyn Horror Film Festival 2018
“‘A Wrinkle in Time’ is for kids, and I mean ‘made for kids’ in the supportive definition rather than the usual lazy and disparaging connotation that’s carelessly applied to more lukewarm family films.”
“‘Bringing Up Baby’ delves joyfully beyond the stiff pretences of modern life to reveal the wild and lustful animal that still lies beneath the surface.”
“While it doesn’t pop with philosophical resonance like Ghibli pictures, it has enough fairy dust in its sleeves to keep you transfixed and rooting for the heroine.”
Sean Patrick Interviews Norwegian Director Joachim Trier
“Within the context of a cinema that is high-strung and often defined by its over-the-top, spectacle-driven family dramas, ‘Ribbon’ and its smallness (and everydayness) is not just a refreshing break but an extremely well-timed breaking of the mold.”
