“‘Semper Fi’ leans heavily on male codes of honor — a la HBO’s ‘The Wire’ or Ben Affleck’s ‘The Town’ — but doesn’t fully explore the motivations for the primary players, a group of Marines trying to re-acclimate to life in upstate New York. As a result, the final act suffers.”
“Exploitation filmmakers like Castellari treat other films like air just waiting to be breathed in. Theft, plagiarism, remix, citation, reference — to these exploiters, they are all the same thing. Everything, these films suggest, belongs to all of us.”
“Nothing about ‘Ford v Ferrari’ reeks of studio interference, perhaps owing to the fact that the script hews so closely to screenwriting conventions that worked well for decades.”
“‘Year of the Dragon’ offers little comfort, and when it does, Cimino heavily suggests its victories are hollow and insincere. It is a dark-mirror exercise in genre fragmentation that shatters the vigilante cop thriller into thousands of pieces and lays its ugliest instincts frighteningly bare.”
“‘Spider-Man: Far from Home’ is a sophomoric attempt to capture the visual flair and look of the old comics; Watts fails to capture the bite and necessary substance.”
“Christopher Nolan’s ‘Dark Knight’ trilogy has become THE Batman interpretation, heralded for its gritty realism. But in my book, ‘Batman’ is the better comicbook movie.”
“All in all, ‘the 4th film by Quentin Tarantino’ is a wild, eclectic action movie with visual flair, great performances and personality up the wazoo.”
“One of the greatest pleasures of ‘See You Yesterday’ is that the challenges and complexities of the jumps get better as the story unfolds.”
“Whenever they exist, wherever they roam, with this continuation of personality and principle, it is often as if Peckinpah’s characters were simply picked up from the past and dropped into another time, a time where the Western — and western — spirit remains.”
“Just like his protagonists, D’Antoni refused to play by the rules, and he got results.”
