Review: Christopher Nolan’s ‘Dunkirk’
“As a portrait of differing wartime experiences, ‘Dunkirk’ is too plot-oriented to be successful.”
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Sheer Heart Attack: Edgar Wright’s ‘Baby Driver’
“With ‘Baby Driver,’ Wright delivers a delightful, mid-summer cinematic treat.”
Vague Visages Is FilmStruck: Bill Arceneaux on Samuel Fuller’s ‘The Steel Helmet’
“Answers don’t come easy, but they do come if you’re looking for them.”
‘Colossal’ and the Monstrous Pettiness of the Male Ego
“Maybe she can finally make a life that’s actually hers.”
The Bottom Line: Q.V. Hough, Jeremy Carr, Bill Arceneaux and Peter Bell on ‘V for Vendetta’
Vague Visages Chat Transcript
Cannes Film Festival Review: Taylor Sheridan’s ‘Wind River’
“‘Wind River’ is a well crafted, but straightforward, thriller with an interesting setting and social context.”
The Bottom Line: Q.V. Hough, Jeremy Carr and Bill Arceneaux on ‘Cobra’
Vague Visages Chat Transcript
DIFF 2017 Review: James Gray’s ‘The Lost City of Z’
‘It cannot be understated: ‘The Lost City of Z’ is a revelation.’
‘RoboCop’ in the Age of Trump
“It only took three decades for ‘RoboCop’ to go from a sci-fi thought experiment to prescient documentary. What do the next few hold?”
Review: Sang-ho Yeon’s ‘Train to Busan’
“‘Train to Busan’ becomes obsessed with how its characters will face the various obstacles thrown at them, but the film does not operate with a human desire for justice.
