“Given that documentaries are being pushed into hybrid spaces, and that many modern animators are covering morbid subject matter, these 12 short films give an example of contemporary moving image work pushing at cinema’s comfort zones.”
“Film criticism is so vital not because it’s a service, but because it’s a tool — a way for each person to arrive at the final word on each film they see from the critic that matters most: themselves.”
“It’s a fascinating experience to see ‘Aparisyon’ via Locarno’s ‘Open Doors’ strand, where it is presented as a key work in understanding contemporary Filipino cinema.”
“‘The Go-Go’s’ boasts a treasure chest full of archival content in all shapes and sizes, and the imagery almost always complements the anecdotes told by the subjects with delightful detail.”
“There was nothing else like ‘CREEM’ back then, and there’s still nothing like it now. That’s not only a testament to the importance of the magazine, it’s also a sad commentary on what’s lacking in modern music criticism.”
“‘Memories of Underdevelopment’ shares with ‘Pixote’ a cautious destabilization, a sense of how long can this last, of tipping points, radical reform and the capricious aftermath.”
“If Ferris Bueller and his day off resemble something else universal, it is liberation. In the context of the journey, this is best understood as the ability to be in transit.”
“As a character study, Miloš Forman’s feature directorial debut presents a realistic vision of a boy’s attempt to come of age; a path full of setbacks without a tidy resolution.”
“I was taken with You Don’t Nomi’s comfortable attitude toward the complexity and ambiguity of a text that can support and sustain such wildly opposite readings.”
“In all her dramatic iterations, Patty Hearst stands for an American purity that was always illusory but remains hallowed, that successive generations have set out to wrest back from the forces of complication.”
“If New Hollywood was an attempt to shape the future in novel ways, Bogdanovich was manifestly more interested in looking back, in reaction over revolution, in conforming his artistic impulses to an unambiguously Golden Age Hollywood influence.”