“Abstract and disjointed, the narrative of ‘Mysterious Object at Noon’ is progressively piecemeal, and what occurs in ‘Limite’ is even more inconclusive.”
“‘Finding Yingying’ doesn’t try to offer answers that it can’t manifest in reality, and instead allows the legacy of its subject to lead the way, through intimate diary entries, by pondering the important questions of who we want to be, for each other and for our communities.”
“‘Making Waves: The Art of Cinematic Sound’ often turns its ears to previously unheard nooks and crannies that will light a fire in the next generation of world-class film artists.”
‘Kindred Creatures’ is a feature-length documentary that explores the world of farm animals and the sanctuaries that rescue them. Check out VV’s interview with the North Dakota-based director Samuel Sprynczynatyk.
“As a first feature, ‘We Are from There’ is an assured piece of work. Tanios paces the documentary well, and maintains a consistent and observant tone when it would be easier to lean on the sentimentality or urgency of the assembled footage.”
“By seemingly stripping the sacredness from the cenotes, and forcing the sinkholes to be penetrated by the eye of the camera, Oda appears to deconstruct the documentary’s premise: there’s no mystery to unearth…”
“What’s consistently left out of the ‘Cheer’ conversation is a discussion of the precarious tension of love and exploitation between coach Monica Aldama and the team.”
“In her mysterious way, Hatidze’s character is as gorgeous and singular as the breathtaking images collected by cinematographers Fejmi Daut and Samir Ljuma.”
“LSFF’s Oscillations strand is one of the more immersive parts of the festival, with each film exploring social norms, bodily autonomy and the intersections of life.”
“The Houses in Motion strand breaks the mould in successfully exploring how concepts of life and death, home and away and physical and mental states metamorphose and develop within their own spaces.”
“There’s no telling the story of Khodorkovsky without telling the story of Russia, and it’s for that reason that ‘Citizen K’ is rather invaluable to people like this writer, Americans of a certain age who perhaps aren’t well versed in Russian history.”