‘Spider-Man: Far from Home’ Is Far from Amazing
“‘Spider-Man: Far from Home’ is a sophomoric attempt to capture the visual flair and look of the old comics; Watts fails to capture the bite and necessary substance.”
Once Upon a Time in Tarantinoland: ‘Inglourious Basterds’ Deftly Blends Suspense and Black Comedy
“‘Inglourious Basterds’ is a study in suspense.”
‘Batman’ at 30: An Iconic Adventure Film That Reinvigorated the Superhero Genre
“Christopher Nolan’s ‘Dark Knight’ trilogy has become THE Batman interpretation, heralded for its gritty realism. But in my book, ‘Batman’ is the better comicbook movie.”
The Western Enters the 70s – Part 2: Kicking Down the Doors
“With the Acid Western, the genre had once again proven itself capable of assimilating new grievances and anxieties.”
Sundance London Review: Jennifer Kent’s ‘The Nightingale’
“‘The Nightingale’ is a rich and vivid work from a director whose bold vision accounts for its brutality.”
Review: FINT’s ‘Fonotune: An Electric Fairytale’
“‘Fonotune: An Electric Fairytale’ can’t escape feeling like a zany music video concept, lacking the energy or plot to sustain a feature.”
Stefon Bristol Makes Bright Debut with ‘See You Yesterday’
“One of the greatest pleasures of ‘See You Yesterday’ is that the challenges and complexities of the jumps get better as the story unfolds.”
There Is Another: Transgenerational Trauma and the Skywalker Legacy
“By viewing a family over three generations, the audience can see patterns that the characters themselves cannot, and then see patterns in their own lives as well, hopefully.”
Review: Frant Gwo’s ‘The Wandering Earth’
“If ‘The Wandering Earth’ is China’s first step in big budget space adventure, it promises a giant leap not far down the line.”
Robert Rodriguez’s ‘Alita: Battle Angel’ Falls Short
“Rodriguez’s battle scenes and the performance capture acting of Rosa Salazar (Alita) are shining aspects of the film, but not enough to render it praiseworthy overall.”
Berlinale 2019 Review: Alejandro Landes’ ‘Monos’
“‘Monos’ is a powerhouse of mood and aesthetic, weaponising every element of the form in service of a nightmarish descent into hell in the vein of ‘Lord of the Flies’ or ‘Heart of Darkness.’”
‘Mission: Impossible – Fallout’ Won’t Let You Down
“When it comes to sheer quantity of triple-crosses, double agents, remote control gizmo toys, one-liners, stunts and rubber mask fake outs, ‘Mission: Impossible — Fallout’ outdoes its predecessors. The big question now, however, is whether the longevity of this franchise is finally taking its toll on the overall quality.”
Review: Debra Granik’s ‘Leave No Trace’
“‘Leave No Trace’ finds its tension in the growing gap between father and daughter as Tom’s worldview widens while Will’s closes in.”
‘Hotel Transylvania 3: Summer Vacation’ Is Genndy Tartakovsky’s Mania Gone Unproductively Mad
“For all the music that ‘Hotel Transylvania 3: Summer Vacation’ offers, it amounts to a one-note production.”
Vague Visages Is FilmStruck: John Ford’s ‘The Searchers’
“‘The Searchers’ has moments of low-brow comedy and moments of penetrating tension, its interconnected themes involve love and guilt, and its visual and spiritual essence falls somewhere in the realm of poetic melancholy.”
Vague Visages Is FilmStruck: Henri-Georges Clouzot’s ‘The Wages of Fear’
“Just because ‘The Wages of Fear’ is dire and pessimistic, that doesn’t make it any less perceptive or accurate. Quite the contrary: the virulent truth only makes it that much more engrossing…”
Studio Ghibli Forever: An Initiation – ‘Princess Mononoke’
“‘Princess Mononoke’ explores the gaping chasm between nature’s gentle acceptance of circumstance and humanity’s steadfast refusal to quietly accept death.”
Studio Ghibli Forever: An Initiation – ‘Kiki’s Delivery Service’
“‘Kiki’s Delivery Service’ captures the imaginations of young viewers while imploring the older among them to let common sense go in order to enjoy the pop music and irrefutable heart.”
The Great Enunciation: Seth Rogen and Evan Goldberg’s ‘The Interview’
“The frat house formula doesn’t quite work well enough for ‘The Interview’ to become a modern comedic classic.”
A ‘Boyhood’ Alternative and Potential Oscar Outcast: Jean-Marc Vallée’s ‘Wild’
“Witherspoon delivers a powerhouse performance in ‘Wild.'”