Soundtracks of Cinema: ‘The Suicide Squad’
‘The Suicide Squad’ Soundtrack: A Vague Visages guide for every featured song in the 2021 DCEU movie starring Margot Robbie.
Soundtracks of Cinema: ‘Vivo’
‘Vivo’ Soundtrack: A Vague Visages guide for every song in Kirk DeMicco and Brandon Jeffords’ 2021 Netflix movie.
Know the Voice Cast: ‘Vivo’
‘Vivo’ Cast: A Vague Visages guide for every actor and character in Kirk DeMicco’s 2022 Netflix movie.
Review: David Lowery’s ‘The Green Knight’
“The Green Knight’s impactful imagery and intensity outweigh its sometimes overly cryptic metaphors, allowing for quality entertainment.”
Trailer Detective: ‘Kate’
Kate: Q.V. Hough lists five key observations about the trailer for Cedric Nicolas-Troyan’s 2021 Netflix film starring Mary Elizabeth Winstead.
Know the Cast: ‘The Vault’
‘The Vault’ Cast: A Vague Visages guide for every actor and character in Jaume Balagueró’s 2021 movie.
Know the Cast: ‘Gunpowder Milkshake’
‘Gunpowder Milkshake’ Cast: A Vague Visages guide for every main performer and character in Navot Papushado’s 2021 Netflix movie.
Soundtracks of Cinema: ‘Gunpowder Milkshake’
‘Gunpowder Milkshake’ Soundtrack: A Vague Visages guide for every feature song in Navot Papushado’s 2021 Netflix movie.
Review: Cate Shortland’s ‘Black Widow’
“Shortland brings her keen feature filmmaking chops to ‘Black Widow’ as a welcome addition to the talented pool of storytellers who can match the Kevin Feige house style without any significant artistic compromise.”
Netflix Review: ‘Godzilla Singular Point’ Season 1
“Previous incarnations of Godzilla worked best by implanting ideas that were tangible. However, in the world of ‘Godzilla Singular Point,’ the ideas prove to be non-existent, as do the inhabitants.”
Annecy International Animated Film Festival Review: Alexander Kronemer’s ‘Lamya’s Poem’
“‘Lamya’s Poem’ is best suited for streaming distribution since the documentarian Kronemer only shows a trying ability to accomplish theatrical flair. Still, a parent viewing the film with children can surrender to its spell and ambition, and forgive its lags.”
Amazon Prime Review: ‘Invincible’ Season 1
“Comic book adaptations are by no means an easy task, but Robert Kirkman and his co-producers achieve a soaring success with the Amazon Prime series ‘Invincible.'”
Netflix Review: ‘Dota: Dragon’s Blood’ Season 1
“‘All these books, all this magic, yeah, they have potential. But what exactly is ‘DOTA: Dragon’s Blood’ trying to say?”
Review: ‘Zack Snyder’s Justice League’
“In an era where Disney allows Marvel to experiment boldly with narrative structures in a show like ‘WandaVision,’ ‘Zack Snyder’s Justice League’ seems like a tired old horse that needs to be put out to pasture.”
‘Raya and the Last Dragon’ Review: A Fable Vibrating with Imagination and Optimism
“‘Raya and the Last Dragon’ welcomes a reflection on its Asian-fusion design because western adaptations of Asian culture, even with visible and vocal creative Asian input, will come with a spectrum of orientalism…”
Black Gold: Cinema, Wealth and Blackness
Brian Brems on ‘The Treasure of the Sierra Madre, ‘Da 5 Bloods’ and ‘Trespass’
Sundance Review: Robin Wright’s ‘Land’
“‘Land’ is positioned as an exploration of grief and survivor’s guilt — a crowded celluloid space – but the lack of distinctive figures renders Wright’s film picturesque but fallow.”
Review: Conor Allyn’s ‘No Man’s Land’
“‘No Man’s Land,’ Conor Allyn’s earthy effort at a serious revisionist western, is a film of good intentions that goes awry when it attempts to unpack any of its ideas.”
Review: Adam Egypt Mortimer’s ‘Archenemy’
“‘Archenemy’ could easily ditch all the higher concept stuff and simply exist as a dark buddy comedy. As it stands, this is an interesting misfire for Mortimer…”
Review: Robert Zemeckis’ ‘The Witches’
“Whatever ‘The Witches’ gains from its desire to provide computer-polished eye candy is hampered by the impersonal corporate feeling which results from this approach.”