“Films like ‘Rocky II’ age well because the moments that now seem anachronistic serve to shed light on problems we still have today, delivered by the kind of characters viewers can sympathise with, even if one doesn’t agree with all their opinions.”
“Whether or not Johnson overcomes the arguments made by James Baldwin in essays contained within ‘Notes of a Native Son’ rests largely with the viewer’s sympathies with the objectives and sensibilities of Wright (and Johnson).”
“His songs and compositions are featured in commercials, sampled in TV shows, used at sporting events and play as ringtones on people’s cellphones. There isn’t a place in India where Rahman’s music hasn’t reached.”
“By dissecting and re-representing time through the cinematic apparatus, ‘Chungking Express’ demonstrates that modern life is not unequivocally devoid of romanticism.”
“It’s telling that all of the human interactions in ‘Murder by Contract’ involve either money or business. The illusions of the profit motive and market forces have alienated Claude from his own emotions and left him broken and alone.”
“‘Ash Is Purest White,’ Zhangke’s latest film, is another masterful chapter of the director’s artistic journey, one that works wonderfully as a point of entry into his oeuvre.”
“In ‘Evangelion,’ youth is depicted not as an event to look back on with nostalgia, but as an arduous task to be overcome. Shinji’s story is one that demands he confront rather than escape…”
“Sometimes, films set in and around Hollywood manage to capture a sense about the place that’s strange and uncanny, a place in love with its past and afraid of its future, leaving nothing but ghosts behind to haunt the hills, and to walk the empty mansions.”
Mike Thorn on 25 Years of Marilyn Manson
“There is nothing quite like a Ty Segall show. Witnessing this talented wunderkind and his equally spectacular band in a live setting is nothing short of mind-blowing (and eardrum-rupturing, for that matter).”
“Jordan Peele’s ‘Us’ cements the filmmaker’s reputation as a master craftsman and visual stylist. Creepy, funny and wicked sharp, the film’s genre is horror, the ideas are expansive and the execution is clean.”
“‘10 Things I Hate About You’ has that slap-you-in-the-face energy. Wake up, it shouts, teen movies can be smart, empowering, entertaining and funny all at once. And they really don’t get much better than this.”
“‘The Beach Bum’ is undoubtedly Harmony Korine’s friendliest movie, as the filmmaker tones down his Jean-Luc Godard meets John Waters envelope-pushing tendencies and alienating techniques, yet there’s still a lot of edge to be found in the film.”
“Sexism and toxic masculinity are not unusual in this genre, but DaCosta’s emphasis on sisterhood and the presentation of a female point of view turn ‘Little Woods’ into a fresh, must-see cinematic experience.”
Yoana Pavlova Interviews Video Essayist Kevin B. Lee
“The film itself doesn’t have a clear narrative structure, but that’s not at all a detriment. ‘Outer Space Kids’ is more so an experience, a glimpse into a world of art that exists beyond socially constructed borders.”
“The characters in ‘Ladies and Gentlemen, the Fabulous Stains,’ ‘Smithereens’ and ‘Suburbia’ find in punk rock a convenient shorthand for authenticity, a posture which presages its eventual absorption into the very mechanisms it sets out to oppose.”
“Uggadottir’s ‘And Breathe Normally’ evokes a whole new style of Icelandic cinema, one which is inseparable from the country’s physical existence.”
“The director handles all the confused attraction with enough sophistication that the plot’s actual direction sneaks up in a manner that smartly defies cliche, as well as the audience’s first likely guess.”
“Whisenant emphasizes the ways in which Young’s quest have led him to meaningful interpersonal relationships and a sense of avocation that transcend his work as a writer of television comedy.”