“There is seething, justified anger that underscores the plot of ‘Bhoga Khirikee’; an anger that could be used to create extremely radical female characters who pull the plot forward instead of becoming cardboard stand-ins for the filmmaker’s radical politics.”
“Looking back at a film like ‘Rocky IV,’ we can’t just say ‘wow, look how dumb we were back then’ because the simple truth is that we haven’t earned the right. We are still making the same mistakes, still falling for the same macho con.”
“At least, ‘The Death of Dick Long’ is a homecoming for the Alabamian Scheinert that uses his warped view of the place to create a glowing nostalgia and a strong vision for American Indie cinema.”
“When everything aligns, ‘Share’ works brilliantly and feels like a true indie hit. Unfortunately, such moments are fleeting, and it ultimately feels like a glorified student film.”
“Through film, people can step outside the bounds of space and time to revisit the past, to see something old from a new vantage point.”
“Coppola’s recent work is not a ‘return to form,’ whatever that means, but rather part of an ongoing exploration of what the form can do, showing an artist increasingly interested in only trying things he hasn’t done before.”
“‘The Last Black Man in San Francisco’ soars, stretching gull wings as a poetic lament articulating longing and loss recognizable and accessible to all.”
“Lust for Youth now have seven albums under their collective belts. It’s high time pop fans took notice and started giving them the attention they deserve.”
“With his concern for the outsider, and his reorienting of the West’s perception in the American mind, Peckinpah helped to birth the Acid Western.”
“The gritty and hard-nosed film noir genre is rife with actors and directors that helped to not only change conversations about American cinema, but also the nation’s consciousness.”
“Many ‘Starfish’ reviews pick up on the film’s unmistakable exploration of grief, but just as many neglect to mention the other half of White’s semi-autobiographical work and its reckoning with guilt and regret.”
“Brice and company get too tied up in the character comedy for ‘Corporate Animals’ to work as a satire, and the televisual filmmaking isn’t helped by a plotline that could have been a single episode of ‘The Office.'”
“‘The Nightingale’ is a rich and vivid work from a director whose bold vision accounts for its brutality.”
“Hazarika’s is a voice that comes from outside of the Bollywood canon and reverberates sharp and hard throughout the cinemascape of the country. May it grow only louder.”
“Maurel allows Arenas’ body language to speak for her, rather than relying upon cliché teenage dialogue found in many Hollywood films.”
“‘Alien’ is a gift that keeps on giving, and ‘Memory: The Origins of Alien’ unwraps so many colorfully wrapped boxes of various shapes and sizes.”
“All in all, ‘the 4th film by Quentin Tarantino’ is a wild, eclectic action movie with visual flair, great performances and personality up the wazoo.”
“Moin Hussain’s ‘Naptha’ is a classic, compact portrait of a strained father-son relationship that addresses the angst of aging and the pain that familial relationships can bring.”
‘We Are the Heat’: Pablo Staricco Cadenazzi interviews filmmaker Jorge Navas.
“Eggers is persistent in never revealing his hand, but I’ve got a hunch he’s hiding a royal flush.”