Escape to Paradise: The Unusual Sweetness of ‘Carlito’s Way’
“What both Pacino and De Palma vividly convey throughout the film is that there’s absolutely nothing dubious or spurious about Carlito’s conviction in his ability to evolve.”
Album Review: Arca ‘KiCk i’
“Taken as a whole, ‘KiCk i’ is a delirious tour-de-force, a compilation of experiments that don’t fully cohere but still build up to an intriguing final image.”
From ‘Sex’ to ‘Girls’ to ‘Insecure’: HBO’s Feminist and Intersectional Chronicle
“HBO has come a long way in representing the intersectionality of race and gender.”
Why Criticism: Against Nostalgia
“More than ever, it is crucial to contemplate what this nostalgia phenomenon means for the future of the arts and our discomfort with the new. Will there be a ‘new’ in the new world?”
Review: Spike Lee’s ‘Da 5 Bloods’
“One of the most effective storytelling strategies in Spike Lee’s ‘Da 5 Bloods’ is the application of the simple and elegant dichotomy.”
Putting the Record Straight: In Conversation with 70s Rock Icon Suzi Quatro
“Right now, I’ve never felt more creative.” – Rhys Handley Interviews 70s Rock Icon Suzi Quatro About Her Career and the 2020 Documentary ‘Suzi Q’
Why Criticism: Dismantling the Boys’ Club in Horror
“The main reason I write about horror movies, aside from having a deep and abiding love for them, is that I have a perspective unique to me. But, for certain men, that’s not enough.”
Local Heroes: Ben Flanagan on Odeon Chelmsford
“Local Heroes” is a Vague Visages column dedicated to movie theater memories and the theatrical experience.
The Code Complex: Robert De Niro, Jake LaMotta and ‘Raging Bull’
“‘Raging Bull’ — a complex character study about methods and codes of conduct — all too often gets reductively tagged as Scorsese’s toxic masculinity sports movie that allowed De Niro to lose (and gain) weight in pursuit of an Oscar.”
Martin Scorsese, ‘Mean Streets’ and Caravaggio’s Moment of Illumination
“In Caravaggio and Scorsese’s art, the silent actions of male and female characters speak louder than words. We don’t need to hear Holofernes scream to understand what Judith has taken.”
Album Review: Phoebe Bridgers ‘Punisher’
“Bridgers, like all her millennial contemporaries, contains multitudes as yet unseen. She is living any number of lives all at once — but, at the core of it all, there’s still a vulnerable child of the 90s adrift in a merciless world…”
A Stone-Dumb Genius: On Charles Grodin’s Performance in ‘The Heartbreak Kid’
“Under May’s stare in ‘The Heartbreak Kid,’ and through the provocations of scene partners, Grodin creates a character of rare stature: a horrifying, stone-dumb genius.”
Tearing Down the Monument: Sean Connery’s 1970s
“In my hatred for the Bond franchise, I feel I may have done a disservice to its star. I have always had a tendency to discount Sean Connery as an exquisitely sculpted statue, capable of filling out a tuxedo very nicely but little else.”
Collecting Movies with Brady Daley
Greg Carlson Interviews Brady Daley About Movie Collecting
World Cinema Project: Behind Closed Doors – ‘The Housemaid’ and ‘Insiang’
“One of the great joys in viewing the films amassed under the World Cinema Project banner is discovering the richness of a nation’s cultural and scenic backdrop.”
Review: Spike Lee’s ‘Da 5 Bloods’ Matters
“As always, Spike Lee asks all the right questions, and it’s up to us to recognize that even though the answers may not be ones we want to hear, we need to grapple with them all the same.”
Album Review: Jehnny Beth ‘To Love Is to Live’
“Unafraid of what makes her difficult, idiosyncratic or complex, Jehnny Beth ties a bow on this project with an impressive clarity that serves to reinforce her already-established and considerable talents while boldly traversing new, untested, innately personal ground with aplomb.”
12 Angry Films: Sidney Lumet on Justice #12 – ‘Find Me Guilty’
“The accumulated effect of ‘Find Me Guilty,’ with its litany of absurdities, is that it is better to deliver the accused from continued subjugation than to maintain faith in a system that has lost all claim to its moral authority.”
Review: The Shakespeare Sisters’ ‘Soundtrack to Sixteen’
“The Shakespeare Sisters boldly attempt to capture a young romance, but the film occasionally loses momentum with its loose script and clunky editing.”
Review: Abel Ferrara’s ‘Tommaso’
“‘Tommaso’ shows Ferrara taking his career in a new direction, and it’s nice to see someone of his stature still making innovative, daring films.”