“In my hatred for the Bond franchise, I feel I may have done a disservice to its star. I have always had a tendency to discount Sean Connery as an exquisitely sculpted statue, capable of filling out a tuxedo very nicely but little else.”
“One of the great joys in viewing the films amassed under the World Cinema Project banner is discovering the richness of a nation’s cultural and scenic backdrop.”
“As always, Spike Lee asks all the right questions, and it’s up to us to recognize that even though the answers may not be ones we want to hear, we need to grapple with them all the same.”
“The accumulated effect of ‘Find Me Guilty,’ with its litany of absurdities, is that it is better to deliver the accused from continued subjugation than to maintain faith in a system that has lost all claim to its moral authority.”
“The Shakespeare Sisters boldly attempt to capture a young romance, but the film occasionally loses momentum with its loose script and clunky editing.”
“In their conversations, Soderbergh and Nichols work together to dismantle the artificial dividing line between art and criticism, neatly moving between the two…”
“Hammer’s short length may feel like a detriment to some and seem too sparse, with its brevity making for some awkward moments. That said, it’s a refreshing change from the sprawling crime sagas of late…”
“‘Underground’ remains a controversial and wildly ambitious film, one that refuses to be pinned down. It’s a never-ending hall of mirrors that reveals more about the audience than the narrative itself.”
“Moss is nothing short of phenomenal in ‘Shirley,’ filling out her performance with a steady flow of poisonously perfect wisecracks, putdowns and insults…”
“Hardy provides something alien, both amusing and disgusting, a unique cross between Jack Nicholson’s Jack Torrance in ‘The Shining’ and Vincent D’Onofrio’s Bug in ‘Men in Black.'”
“‘True History of the Kelly Gang’ explodes like a Molotov cocktail, one that is fueled by punk spirit and more androgynous costuming than a New York Dolls album.”