Blue Balls in Your Heart: True Detective ‘Church in Ruins’ (A Vague Visages Staff Precap)
A Conversation Between Vague Visages’ Q.V. Hough, Dylan Moses Griffin and Max Bledstein
His Blazing Automatics: The Cinematic Connection of Chan-wook Park’s ‘Oldboy’ and Kihachi Okamoto’s ‘The Sword of Doom’
A Column by Dylan Moses Griffin
Of Love and Other Demons: ‘Mamma Roma’ (Pier Paolo Pasolini, 1962)
“Pasolini suggests in ‘Mamma Roma’ that the spiritual beauty of humanity often emerges from vulgarity and contradiction.”
Gaslighting and Moral Blindness in Christian Petzold’s ‘Phoenix’
“Phoenix’s devastating final scene pretty much erases a need for the specifics of the moral blindness.”
Review: Jason Banker’s ‘Felt’
“In choosing to cover so much breadth of ground, Felt falls well short of any meaningful examination of the gender issues plaguing American and world culture.”
Transplanting Sympathies and Influence: Hannibal ‘Digestivo’ (Recap)
“Digestivo” feels almost like a bottle episode due to its concentration on Mason’s Muskrat Farm, and the close quarters are the perfect setting for seeing the characters play off one another.
His Blazing Automatics: What’s Going on at Blumhouse?
A Column by Dylan Moses Griffin
Film Beat: Cafe Scene from Jean-Luc Godard’s ‘Vivre sa vie’
“After my first viewing of ‘Vivre sa vie,’ I closed my laptop, went out and chopped my waist-length mane to a bob. Movies have always had that mysterious power of making me feel as if I have lived all the lives I see on-screen.”
Of Love and Other Demons: ‘Tabu’ (Miguel Gomes, 2012)
“The strength of ‘Tabu’ lies in how powerfully sex is captured, offering aural and visual textures that inspire sensorial memories.”
Review: Bill Condon’s ‘Mr. Holmes’
“The tender performance of McKellen, as might be expected, is a reliable anchor keeping things afloat; the actor seemingly relishing a major turn free of mutants and wizardry — a fantasy icon on fine form as a man not fond of the fantastic.”
A Vague Visages Colloquy: True Detective ‘Down Will Come’
A Conversation Between Q.V. Hough, Dylan Moses Griffin and Max Bledstein
Transformation, Resurrection and Close-Ups: Hannibal ‘Dolce’ (Recap)
“Perhaps the water from the beginning of the episode points more towards resurrection than forgiveness, and if the rest of the season is as strong as “Dolce,” one can only hope Hannibal’s fate will point in the same way.”
The Dueling Cavalier: ‘Magic Mike XXL’ is the Most Progressive Hollywood Movie in Ages (and It’s a Total Blast!)
A Column by Max Bledstein
The Early Novels of Patrick Modiano: ‘Villa Triste’ (Sad Villa)
The Fifth Installment of Jaime Grijalba’s Series on Patrick Modiano
Review: Andy Hamilton and Guy Jenkin’s ‘What We Did on Our Holiday’
“A BBC Films production from the minds of Outnumbered, What We Did on Our Holiday often looks and feels like an extended sitcom episode rather than a film.”
Understanding the Reveal: True Detective ‘Maybe Tomorrow’ (Recap)
“Don’t allow yourself to be fooled by the “reveals” of True Detective.”
Laughter in the Dark: John Cassavetes’ Comedies
Part 4 of “Tightrope Cinema: John Cassavetes’ Highwire World” by Phuong Le
Recap: Hannibal ‘Contorno’
“As the plot of Hannibal continues to move forward, it also won’t stop looking back.”
VOD Review: Patrick Brice’s ‘Creep’
“An interesting, indie-minded horror, Creep’s simplicity adds to its effectiveness as a taught, jarring film.”
We Failed This Film: David Fincher’s ‘Zodiac’
Part Two of a Series by Dylan Moses Griffin