“‘Blood for Dracula’ is confusing thematically, but I think that’s part of the point. As pulpy as it is, Morrissey’s film strongly confronts and challenges our ideas of purity and gender.”
“Expanding on the standard documentary outline, director Douglas Tirola strings a series of in-depth interviews together with original National Lampoon magazine artwork, album excerpts and stage show footage — providing enough tits, drugs and comedy to satiate fans young and old.”
“As a piece of sweeping populist entertainment, The Martian is a great success, despite a couple of issues that perturb throughout.”
A Column by Max Bledstein
A Column by Dylan Moses Griffin
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“45 Years is unconcerned with the “cuteness” of love — Haigh wants to know what makes it tick.”
A Conversation about Netflix’s Polarizing Series
“A remarkably pervasive journey through one man’s search for meaning in his own life, The Primary Instinct captures an utterly captivating performance in a very standard way.”
“Narcos resorts to cheap tactics to depict just how ‘bad’ these characters are.”
“As impressive and excruciating as Hall and his team’s journey was, Everest fails to capture the specifics.”
A Series by Dylan Moses Griffin
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“Someone pull Don Draper off his office couch, it’s time to meet the Mets.”
“The Buñuelian meets the Duplassian in The Overnight, a chamber comedy of social and sexual manners from director Patrick Brice (2014’s Creep).”
“Netflix’s new series Narcos begins with a quote regarding the birth of magical realism, and its point of emphasis reveals quite a bit about the series it precedes.”
A Column by Dylan Moses Griffin
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“Little more than an extravagant, blood-soaked and alcohol-fueled story, Legend fulfills its title; an overinflated piece of bar room folklore better told over a cold pint of Guinness (or several)”
A Column by Max Bledstein