‘Mulholland Dr.’ 4K Restoration: Another Look Behind Winkie’s Diner
“Just as with life, ‘Mulholland Dr.’ is unexplainable.”
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Jordan Brooks
Jordan Brooks is the sole contributor/editor of AViewtoaQueue.com and is also a contributor to EntertainmentFuse.com
Review: Pema Tseden’s ‘Tharlo’
“Pema Tseden’s all-Tibetan film is a confrontation of old and new, of solitude and togetherness, of dreams and reality.”
Review: Josh Appignanesi and Devorah Baum’s ‘The New Man’
“The director’s own forthrightness is, at once, both refreshing and perplexing.”
James Bond and Artifice
“No longer tasked with putting the missing pieces of action, intrigue and effects together in our heads, the artifice of Bond is gone forever — and with it, any room for playful interpretation.”
Review: Sang-ho Yeon’s ‘Train to Busan’
“‘Train to Busan’ becomes obsessed with how its characters will face the various obstacles thrown at them, but the film does not operate with a human desire for justice.
Studio Ghibli Forever: An Initiation – ‘The Tale of the Princess Kaguya’
“As in many Studio Ghibli films before it, the male director is speaking directly to his male audience, pleading with them to treat the women in their lives with the respect and equality they deserve.”
Punk Celebrates Its 40th Birthday with a Night at the Movies
“Relying heavily on the sheer talent of its leading performers, and the loud boisterousness of the music that defined an era, Alex Cox’s ode to punk is pure Anarchy in the UK.”
Studio Ghibli Forever: An Initiation – ‘The Wind Rises’
“Almost as if something out of a Japanese elementary school history class, Miyazaki’s last Studio Ghibli film leaves me with a great sense of numbness rather than the invigorating wonder I have come to expect from the master of anime.”
Studio Ghibli Forever: An Initiation – ‘Ponyo’
“Perhaps not the film for the adventurous young adult, Ponyo proves that remarkable visual inventiveness more-than makes up for candy-sweet morals and glass-fragile plot lines.”
Studio Ghibli Forever: An Initiation – ‘Howl’s Moving Castle’
“Abandoning messages of environmentalism and nonviolence, ‘Howl’s Moving Castle’ abandons the narrative moralities that typify the director’s style.”
