“The Maries, and ‘Daisies’ itself, are quintessential fruits of the Czech New Wave, deconstructing social hierarchies while embodying the free-flowing, iconoclastic ethos that roused and buoyed 1960s Czechoslovak cinema.”
“While it doesn’t pop with philosophical resonance like Ghibli pictures, it has enough fairy dust in its sleeves to keep you transfixed and rooting for the heroine.”
“Lang’s film becomes a committed act of social justice advocacy, raging against its enforced limitation, and striving to break the formal apparatus that could often be employed to constrain Classic Hollywood cinema.”
“At the risk of succumbing to the Sundance hype atmosphere, writer/director Josephine Decker may be offering a new form of altered cinematic consciousness with ‘Madeline’s Madeline.’”
“Just because ‘The Wages of Fear’ is dire and pessimistic, that doesn’t make it any less perceptive or accurate. Quite the contrary: the virulent truth only makes it that much more engrossing…”
“‘Piercing’ plays out Reed and Jackie’s tryst as a sadomasochistic Punch and Judy routine, with the flare-ups of violence equally funny and horrifying.”
“The processing conversation is perhaps the most telling sequence of all, as Quell submits to The Master — the Master Projection — and acknowledges his own self-deception.”
“Listening to ‘Rock & Roll (Save My Soul),’ the first track on Dirty Sidewalks’ debut album, will have a definite impact on fans of The Jesus and Mary Chain.”