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Vague Visages (Vawg-Vee-Sawj)

Movies, TV & Music • Independent Film Criticism • Forming the Future • @VagueVisages • Owned & Operated by Q.V. Hough (@QVHough) Since 2014

An Interview with ‘Whispers of the Mountains’ Filmmaker Jigar Nagda

By Dipankar Sarkar on March 27, 2026

Review: 2026 Oscar Nominees for Animated Short Film

By Alistair Ryder on March 20, 2026

Review: 2026 Oscar Nominees for Live-Action Short Film

By Alistair Ryder on March 17, 2026

Review: 2026 Oscar Nominees for Best Documentary Short Film

By Alistair Ryder on March 16, 2026

Building the New Queer Canon #9: Richard Linklater’s ‘Blue Moon’ and the 2026 Oscars

By Alistair Ryder on March 12, 2026

An Interview with ‘Whistle’ Director Corin Hardy

By Joey Keogh on March 11, 2026

Vague Visages Is FilmStruck: Natalia Winkelman on Věra Chytilová’s ‘Daisies’

By Natalia Winkelman on January 31, 2018

“The Maries, and ‘Daisies’ itself, are quintessential fruits of the Czech New Wave, deconstructing social hierarchies while embodying the free-flowing, iconoclastic ethos that roused and buoyed 1960s Czechoslovak cinema.”

‘Mary and the Witch’s Flower’ Is Chock-Full of Studio Ghibli Fairy Dust

By Caroline Cao on January 31, 2018 • ( 1 Comment )

“While it doesn’t pop with philosophical resonance like Ghibli pictures, it has enough fairy dust in its sleeves to keep you transfixed and rooting for the heroine.”

Lady Bird and the War of Innocence

By Beth McDonough on January 30, 2018 • ( 1 Comment )

“Maybe this war of innocence is one that’s never really won or lost. Maybe we just take life one battle at a time.”

Sundance Film Festival Review: David and Nathan Zellner’s ‘Damsel’

By Dan Schindel on January 26, 2018 • ( 2 Comments )

“A tremendously fun movie, ‘Damsel’ reinvigorates the Western aesthetic even as it defies many of the genre’s story conventions.”

Album Review: Ty Segall ‘Freedom’s Goblin’

By Leslie Hatton on January 26, 2018

“These are songs that don’t feel like they’ve been corrupted by overthinking or compressed by studio gloss.”

Devious Dialogues: Mike Thorn and Anya Stanley on the ‘Insidious’ Franchise

By Mike Thorn on January 26, 2018 • ( 1 Comment )

“Well, we’re definitely in agreement that ‘Chapter 2’ is the best of the series!”

Bertolt Brecht, Fritz Lang and German Expressionist Fury

By Brian Brems on January 25, 2018

“Lang’s film becomes a committed act of social justice advocacy, raging against its enforced limitation, and striving to break the formal apparatus that could often be employed to constrain Classic Hollywood cinema.”

Sundance Film Festival Review: Josephine Decker’s ‘Madeline’s Madeline’

By Dan Schindel on January 24, 2018

“At the risk of succumbing to the Sundance hype atmosphere, writer/director Josephine Decker may be offering a new form of altered cinematic consciousness with ‘Madeline’s Madeline.’”

The Wages of Fear Movie Essay - 1953 Henri-Georges Clouzot Film

Vague Visages Is FilmStruck: Henri-Georges Clouzot’s ‘The Wages of Fear’

By Jeremy Carr on January 23, 2018 • ( 1 Comment )

“Just because ‘The Wages of Fear’ is dire and pessimistic, that doesn’t make it any less perceptive or accurate. Quite the contrary: the virulent truth only makes it that much more engrossing…”

Sundance Film Festival Review: Nicolas Pesce’s ‘Piercing’

By Dan Schindel on January 22, 2018 • ( 2 Comments )

“‘Piercing’ plays out Reed and Jackie’s tryst as a sadomasochistic Punch and Judy routine, with the flare-ups of violence equally funny and horrifying.”

Album Review: De Lux ‘More Disco Songs About Love’

By Leslie Hatton on January 19, 2018

“De Lux excels at provoking a ‘what did he just sing?’ curiosity while you’re moving back and forth to the beat.”

Critics in Conversation: Talking about Filmmakers and Talking with Them

By Manuela Lazic on January 18, 2018

Manuela Lazic and Adam Nayman on Conducting Interviews and Writing about Directors

An Interview with ‘Thelma’ Director Joachim Trier

By Sean Patrick on January 18, 2018 • ( 1 Comment )

Sean Patrick Interviews Norwegian Director Joachim Trier

Documenting the Afterlife: Carol Salter’s ‘Almost Heaven’

By Becky Kukla on January 18, 2018

“Even death can become tedious when one deals with it every day.”

Let the Right Light In: On Escapism, Coping Mechanisms and Master Projections in Paul Thomas Anderson’s ‘The Master’

By Q.V. Hough on January 16, 2018 • ( 5 Comments )

“The processing conversation is perhaps the most telling sequence of all, as Quell submits to The Master — the Master Projection — and acknowledges his own self-deception.”

“Well, Childhood’s Over” – Claiming Adulthood with Some Help from Greta Gerwig

By Marshall Shaffer on January 16, 2018 • ( 1 Comment )

An Essay by Marshall Shaffer

Album Review: Dirty Sidewalks ‘Bring Down the House Lights’

By Leslie Hatton on January 15, 2018

“Listening to ‘Rock & Roll (Save My Soul),’ the first track on Dirty Sidewalks’ debut album, will have a definite impact on fans of The Jesus and Mary Chain.”

Review: Paul Thomas Anderson’s ‘Phantom Thread’

By Colin Biggs on January 12, 2018 • ( 4 Comments )

“If indeed this is Day-Lewis’ swan song, ‘Phantom Thread’ is the crowning achievement of a monumental career.”

The Various Representations of Dogs in the Horror Genre

By Tom Williams on January 12, 2018

“Dogs are a huge asset to the horror genre, as menaces and as loyal comrades.”

‘Call Me by Your Name’: On Obsession, Growing Up and Falling in Love

By Ella Kemp on January 10, 2018 • ( 5 Comments )

An Essay by Ella Kemp

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