TIFF 2018 Review: Peter Farrelly’s ‘Green Book’
“‘Green Book’ becomes more than a comforting story of a friendship that today would actually be perfectly likely when its baseline intersectionality shows its limits.”
“‘Green Book’ becomes more than a comforting story of a friendship that today would actually be perfectly likely when its baseline intersectionality shows its limits.”
“‘Beautiful Boy’ occasionally veers into prevention video territory, but the despair and forced acceptance that David goes through show a side of fatherhood that cinema rarely confronts. Sometimes, your child has to help himself.”
“The influence of Larry Clark’s 1995 cult film ‘Kids’ may be all over ‘Mid90s,’ but Hill has a more tender and perhaps more realistic approach of his young subjects: they are smart enough to know when they’re going too far.”
“For a film revolving around an actor destroyed by a bad reputation, ‘The Death and Life of John F. Donovan’ remains frustratingly vague about the media’s indiscretions that bring John’s downfall.”
“‘Widows’ offers the thrills and the feelings, the political and the sentimental corruption, the men but also, and especially, the women behind them, who will do anything for love, but won’t do that.”
“By being so lazy and aggressive with his judgment of pop culture, Corbet ends up making a film that is bland in its anger, annoying in its attacks and ridiculous in its contempt for its characters and audience.”
“‘The Kindergarten Teacher’ is purposefully not a comfortable watch, but it satisfies in many ways. Not only is its central character an imperfect woman, but she also expresses her palpable rage in a strange and fascinating form of intellectual violence.”
“With her beauty– but more importantly, her natural ease and irresistible girlishness — Melanie Griffith presented a form of femininity ideally suited to a specific time of the late 1980s.”
“Here’s to hoping that Meredith Hagner will continue to make us laugh while taking her ludicrous characters seriously for many more years, just like Marilyn Monroe did before her.”
“Looking at Cusack’s entire body of work helps one realise that, with age and experience, he has built an increasingly complex and multifaceted persona, playing off his image in order to counter expectations and, probably, to remain excited by his job.”