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Natalia Winkelman

Vague Visages Is FilmStruck: Natalia Winkelman on Věra Chytilová’s ‘Daisies’

“The Maries, and ‘Daisies’ itself, are quintessential fruits of the Czech New Wave, deconstructing social hierarchies while embodying the free-flowing, iconoclastic ethos that roused and buoyed 1960s Czechoslovak cinema.”

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