“A swirling, tumbling vision of Cold War paranoia and coven politics, ‘Suspiria’ will both astound and baffle; the conflict that defines its muted streets, full of uneasy dreams and restless feet, will come to bear on its audience and their nightmares.”
“Given what we now know about Weinstein’s welding of harassment, assault and power to control the women in his professional orbit, it’s uncanny that a seemingly frivolous film about a girls boarding school could share such parallels with the #MeToo movement.”
“‘First Man’ expresses no interest in probing the complexities of space race mythologizing…”
“Denis’ approach resembles that of Pattinson’s performance: pointedly pared down to the bare minimum without fully untethering from recognizable humanity.”
Ella Kemp Interviews ‘The New Man’ Filmmakers/Subjects Devorah Baum and Josh Appignanesi
“‘Family’ is a gorgeous looking film with framing and editing that is often exquisite. It boasts a palette of rich earth tones and vivid dark colors that are beautiful but oppressive, much like the film itself.”
Marshall Shaffer Interviews Film Editor Tom Cross
“Despite its salacious subject matter — sexuality, infidelity and voyeurism — the movie contains shockingly few sex scenes, but still remains erotically charged nearly 30 years later.”
“Goddard delineates his film from its influences by focusing almost exclusively on character. Rather than a story filled with twists and turns and manipulation of the audience, ‘Bad Times at the El Royale’ presents each character’s story as a solo vignette, before tying it into the overarching drama.”
“The overcorrection for sentimentality does give ‘Wildlife’ a bit of a sterile feel, but the deliberate dissatisfaction that Dano allows to permeate through his debut feature provides a fitting complement to the private misery of the film’s characters.”
“It’s a confusing enterprise all around, but — at the very least — ‘Female Human Animal’ is unlike anything else out there, for better or worse.”
“The quickening tempo of non-diegetic, alienating sounds should not be simply viewed as part of a film score, but as an access point into the fear-induced perspectives of the victims within this film world.”
“Movies aren’t proverbs — their morals are questionable, their questions are impossible to answer. This is the case for good films, at least.”
“Ultimately, it seems that the film’s pleasant and inoffensive affect is exactly what Roth intends. The work is unassuming, competently handled and ably colored within its established lines. It aims clearly and unwaveringly to please a young target audience.”
“Fargeat is almost saying, ‘well, if you want to look at her, you must look at her no matter her condition.’ It is a grotesque way of calling out the male gaze, but it is an effective one.”
“At 30 minutes, ‘Pre Strike Sweep’ doesn’t overstay its welcome, but instead leaves its listeners looking for the “repeat” button. Don’t make the mistake of thinking GØGGS is a mere vanity project for its members; this is the real deal.”
“Jodorowsky’s film is a potpourri of consecrated iconography and symbolism, providing ‘El Topo’ a breadth of sacred resonance and no doubt augmenting its potential for provocation and interpretation.”
“‘Hale County This Morning, This Evening’ is a cinema of living and breathing freedom: a poetry in light and sound that is bridling at the constraints of the very documentary form itself.”
Leslie Hatton Previews the Brooklyn Horror Film Festival 2018
“Blowback occurs when policymakers fail to take into account the far-reaching ramifications of their actions.”