“A thorough, engaging thesis that bridges physical and digital gaps both affirming and sinister, ‘A Self-Induced Hallucination’ is a witty, gripping compilation of collaborative creativity and sterile self-interest.”
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“‘Quién te cantará’ is a cold, mournful study of mothers and daughters living despite each other, filtered through a mystery with a popstar shaped hole at its centre.”
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“This film will undoubtedly become a key text for critical essays and university studies on post-referendum British cinema…”
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“A swirling, tumbling vision of Cold War paranoia and coven politics, ‘Suspiria’ will both astound and baffle; the conflict that defines its muted streets, full of uneasy dreams and restless feet, will come to bear on its audience and their nightmares.”
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“‘The Most Assassinated Woman in the World’ is not, by my estimation, a horror film, but a film about horror spectatorship; the joy of discomfort.”
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“Both characters are lazy, ugly sketches of deviancy, leaning on ableist and transphobic stereotypes in the place of characterisation.”
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“A loving tribute to the days of switchblades and shoulder pads, ‘Crystal Eyes’ gives credence to the giallo genre through its tongue-in-cheek absurdity and commitment to the transitory styles that defined its later years.”
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