“A thorough, engaging thesis that bridges physical and digital gaps both affirming and sinister, ‘A Self-Induced Hallucination’ is a witty, gripping compilation of collaborative creativity and sterile self-interest.”
“‘Quién te cantará’ is a cold, mournful study of mothers and daughters living despite each other, filtered through a mystery with a popstar shaped hole at its centre.”
“This film will undoubtedly become a key text for critical essays and university studies on post-referendum British cinema…”
“A swirling, tumbling vision of Cold War paranoia and coven politics, ‘Suspiria’ will both astound and baffle; the conflict that defines its muted streets, full of uneasy dreams and restless feet, will come to bear on its audience and their nightmares.”
“‘The Most Assassinated Woman in the World’ is not, by my estimation, a horror film, but a film about horror spectatorship; the joy of discomfort.”
“Both characters are lazy, ugly sketches of deviancy, leaning on ableist and transphobic stereotypes in the place of characterisation.”
“A loving tribute to the days of switchblades and shoulder pads, ‘Crystal Eyes’ gives credence to the giallo genre through its tongue-in-cheek absurdity and commitment to the transitory styles that defined its later years.”
