“The accumulated effect of ‘Find Me Guilty,’ with its litany of absurdities, is that it is better to deliver the accused from continued subjugation than to maintain faith in a system that has lost all claim to its moral authority.”
“The Shakespeare Sisters boldly attempt to capture a young romance, but the film occasionally loses momentum with its loose script and clunky editing.”
“The verbal gymnastics and musical dynamism on display serve as an exacting call to attention, turning listeners’ eyes and ears onto a reality long disregarded by the privileged.”
“In their conversations, Soderbergh and Nichols work together to dismantle the artificial dividing line between art and criticism, neatly moving between the two…”
“Hammer’s short length may feel like a detriment to some and seem too sparse, with its brevity making for some awkward moments. That said, it’s a refreshing change from the sprawling crime sagas of late…”
“‘Underground’ remains a controversial and wildly ambitious film, one that refuses to be pinned down. It’s a never-ending hall of mirrors that reveals more about the audience than the narrative itself.”
“By the end, ‘Notes on a Conditional Form’ reveals itself to be about very little — too incoherent to justify its length and too scattershot to feel like a unified whole.”
“Moss is nothing short of phenomenal in ‘Shirley,’ filling out her performance with a steady flow of poisonously perfect wisecracks, putdowns and insults…”
“Hardy provides something alien, both amusing and disgusting, a unique cross between Jack Nicholson’s Jack Torrance in ‘The Shining’ and Vincent D’Onofrio’s Bug in ‘Men in Black.'”
“‘True History of the Kelly Gang’ explodes like a Molotov cocktail, one that is fueled by punk spirit and more androgynous costuming than a New York Dolls album.”
“Although ‘Petals for Armor’ continually returns to a well of torment and reflection, there is a sense of reinvigorated purpose and direction at play in both Williams’ words and her aesthetic choices.”