“If Ferris Bueller and his day off resemble something else universal, it is liberation. In the context of the journey, this is best understood as the ability to be in transit.”
“Jarman’s mix of time, history, memory, fantasy and dreams in ‘Jubilee’ is ultimately a hopeful warning for the future.”
“As much as I love a good story, the best movies always transport me, in an intangible sense, through the base elements.”
“As a character study, Miloš Forman’s feature directorial debut presents a realistic vision of a boy’s attempt to come of age; a path full of setbacks without a tidy resolution.”
“I was taken with You Don’t Nomi’s comfortable attitude toward the complexity and ambiguity of a text that can support and sustain such wildly opposite readings.”
“In all her dramatic iterations, Patty Hearst stands for an American purity that was always illusory but remains hallowed, that successive generations have set out to wrest back from the forces of complication.”
“‘Brigitte’ is a slight and sweet addition to Ramsay’s catalogue, and it gently leaves its impressions.”
“When ‘Make Up’ reaches the light at the end of its twisted tunnel, its culmination is gratifying and sumptuously-realised.”
“The black and white edition of ‘Parasite’ is a gift, and the real beacon shining brightly in the dark.”
“If New Hollywood was an attempt to shape the future in novel ways, Bogdanovich was manifestly more interested in looking back, in reaction over revolution, in conforming his artistic impulses to an unambiguously Golden Age Hollywood influence.”
“The ideas present are intriguing, however The Rental’s ultimate staying power is questionable.”
“Indonesian horror has been gradually finding its feet over the past few years, and ‘Impetigore’ shows that we’ve barely even scratched the surface.”
Greg Carlson Interviews Mallory O’Meara (‘The Lady from the Black Lagoon’) About Movie Collecting
“‘The Night Is Short, Walk on Girl’ feels like an inadvertent political statement, a continuation of the status quo in the romantic comedy genre. Still, there is something there.”
“Film criticism unable to confront film’s relationship to business is destined to fail and will continue to reproduce the same tired critiques of cinema.”
“‘Clean, Shaven’ depicts a culture in which there is little empathy for the mentally ill, perhaps because it is a culture influenced by fictional portrayals in which people like Peter are predominately unfeeling mad killers.”
“Arts Picturehouse Cambridge unearthed the feisty, passionate person that I am today, and made me want to help change the cinematic landscape for the better.”
“A haunting study of Grecian prophecies and inherited mental illness, ‘Relic’ makes beasts of the mind.”
“Behold the elegance and oft-cited aesthetic minimalism with which Reichardt unfolds so many thoughts and ideas about race, representation and gender.”
“Greyhound’s inability to venture further into the depths of wartime psychology leaves it susceptible to being forgotten just as quickly as it emerged.”