“Finally facing the ghost actually releases the tension. And so, it is only by facing a trauma like the Holocaust that future generations can begin to relieve its effects.”
“To understand Ghosh’s cinema, it is important to understand the director’s gradual but persevering separation from gender binaries and roles.”
“In us all lurks a potential Franck — desperate for intimacy, willing to risk oblivion for a moment’s embrace.”
“Carlos and Jason Sanchez’s ‘Allure’ might be one of the most beautifully distressing movies of the past year.”
“Film noir is all about questioning assumptions, and several of such films that feature portraits of women do nothing less.”
“Above all, Argento is a visual and aural stylist, and the style that would carry him into his later films deepens here, with flourishes of freewheeling experimentation.”
“By exposing the falsehood of one’s presumption of power, the Safdies awaken viewers to the inescapable consequences of their actions and weaknesses, along with the vulnerability of their own fate.”
“Indeed, in a film that so gleefully satirizes and undermines any attempts to impose order on existence, Betelgeuse can be regarded as a subversive savior for the families of Ronald Reagan’s America as much as a harbinger of destruction.”
“‘The Red Shoes’ dynamically crosses from reality to fantasy, befitting a film that is itself a grand fiction, simultaneously reflecting and critiquing a true reality. That’s the power of cinema — that’s the power of ‘The Red Shoes.’”
“‘Women in Love’ maintains, despite the passage of nearly 50 years, a thoroughly modern aura.”