“As a chronicler of the justice system in a dozen or more films, Lumet is intimately concerned with the ways in which it represses individual thought and fails to live up to its supposedly defining principles.”
“Stories of older women emotionally manipulating younger acquaintances remain commonplace, but Nebbou’s film manages to find something genuinely human beneath tired hagsploitation tropes.”
“‘Making Waves: The Art of Cinematic Sound’ often turns its ears to previously unheard nooks and crannies that will light a fire in the next generation of world-class film artists.”
“More than ever, it’s crucial to be more cognizant about the complexities of social situations, certainly when speaking to, or speaking about, people with disabilities.”
“‘The Green Fog’ is another shining example of how easy it can be to disappear in the silver screen labyrinth. These mirrors and rhymes of familiar sights, looks, places, actions and themes form the basis of how we experience narrative filmmaking.”
“Many pop artists, both past and present, take cinema as inspiration in crafting their sound, but few modern performers have created music videos that are as truly distinctive and influential as The Weeknd’s collective videography.”
“‘Transference’ feels like a 13-and-under science fiction-themed board game. The pieces are clearly labeled, the color design fits the genre premise and the directions are confusing.”
“The lack of resolution inherent in the source material sets up an insurmountable task: the solution to the central crime and mystery that puts this particular story in motion.”
“‘Naked’ is just as emotionally raw now as it was when it was made, just as acrid and acerbic, and only seems to gain pertinence with age, as the toxic traits of masculinity into which it offers insight become more and more clearly identifiable in society.”
‘Kindred Creatures’ is a feature-length documentary that explores the world of farm animals and the sanctuaries that rescue them. Check out VV’s interview with the North Dakota-based director Samuel Sprynczynatyk.
“The thrill of a film like ‘Q & A’ comes in watching how Lumet finds new ways to level his criticisms, harnessing the cynicism that has propelled his work and suffusing each frame with deep, corrupting rot.”
“Not quite comedies, not entirely horror movies and not normal family films, Dante’s work continues to impress with the layers each work reveals over time, a key factor in their lasting power.”
“We are all mediocre writers when we start, and we must engage with others’ mediocrity throughout our careers. But we must engage with it level-headedly, picking out the good from the bad and making those distinctions to the best of our ability.”
“In Fassbinder’s conception of West Germany following its chaotic autumn, terror takes on the tenor of performance art; like addicts lusting after a fix, the groupuscule seeks ennobling sensation; they must be satiated by “Something symbolic…”