Review: Francis Lawrence’s ‘The Hunger Games: Mockingjay – Part 1’
“Lawrence is simply marvelous again and delivers a surprisingly beautiful vocal performance that demonstrates her well-rounded talent as a performer.”
Review: Josephine Decker’s ‘Thou Wast Mild and Lovely’
“With such a powerful concoction of unconventional narrative techniques, ‘Thou Wast Mild and Lovely’ dares the viewer to touch the flame; a 95 minute summer poem of suppressed emotions and blistering paranoia.”
Review: Celia Rico Clavellino’s ‘Luisa Is Not Home’
“Asunción Balaguer carries ‘Luisa Is Not Home’ with her gentle performance…”
Review: Marina Shron’s ‘Sea Child’
“The crystal-clear visuals of ‘Sea Child’ transcend into a an aquatic journey of surrealism…”
Review: Chasing Kristina Buožytė’s ‘Vanishing Waves’
“‘Vanishing Waves’ boasts a touch of Andrei Tarkovsky, but I found many similarities to the psychosexual thrillers of French director Alain Robbe-Grillet, most notably ‘Eden and After’ (1970) and ‘Successive Slidings of Pleasure’ (1974).”
Review: Jean-Marc Vallée Creates Mystical Vibe in ‘Café de Flore’
Q.V. Hough reviews Jean-Marc Vallée’s ‘Café de Flore.’
Review: David Ayer’s ‘Fury’ Confronts All the Difficult Questions of Wartime Brotherhood
Q.V. Hough reviews David Ayer’s WWII drama, “Fury.”