OVID News: Kiyoshi Kurosawa, ‘Bright Future’ and the Pulse of Jellyfish Gangs
OVID News: Kiyoshi Kurosawa, ‘Bright Future’ and the Pulse of Jellyfish Gangs
The Inside Is Now the Outside: Kiyoshi Kurosawa’s ‘Cure’
“Memory and identity are inextricably linked.”
Cannes Film Festival Review: Kiyoshi Kurosawa’s ‘Before We Vanish’
“More than a stage play, the high concept and tonal spasms make ‘Before We Vanish’ feel like an adaptation of a cult manga.”
Looking Back at Camp Crystal Lake: Mike Thorn and Anya Stanley on the ‘Friday the 13th’ Franchise
A.M. Novak and Mike Thorn Talk ‘Friday the 13th’!
No Exit: Access and Isolation in Babak Anvari’s ‘Under the Shadow’
“‘Under the Shadow’ is an admirable film, albeit not wholly original.”
What Has Been Seen Cannot Be Unseen: Kiyoshi Kurosawa’s ‘Pulse’
“The internet is nor symptom nor cure; it simply exists as another conduit for the best and worst habits we have.”
Review: Kent Jones’ ‘Hitchcock/Truffaut’
“Although it contains very little new material, Hitchcock/Truffaut will undoubtedly find a home within the film education community and could become an important tool in introducing Hitchcock’s immense body of work to hoards of “uninitiated” cinema devotees.”
Berlinale 2016 Review: Kiyoshi Kurosawa’s ‘Creepy’
“Kurosawa possesses an almost supernatural ability to control his audience. “