“Nyman and Dyson’s film is so full-bloodedly cinematic that it leaves one wondering how on earth they captured this on the stage.”
“In the end, the humor fades away in favor of political machinations, but the film’s killer gags are still numerable.”
“The Hollywood dream lives on proudly in ‘The Disaster Artist.’”
“‘Call Me by Your Name’ skips through time like a dream, or a calcified, powerful memory.”
“Horror is a genre that believes, rightly, that young people are the future.”
“Dare I say it, but ‘Jeune Femme’ is as ripe for an American remake as any film I’ve seen on this year’s festival circuit.”
“Much like ‘Leviathan,’ the film is oppressively bleak.”
“Vivian Qu’s ‘Angels Wear White’ is another realist, slow cinema meditation on the social troubles in China.”
“‘Mudbound’ plays the game and begins with a white man, but, throughout the course of an epic tale, it arrives at a moving destination.”
“This kind of world recreation doesn’t come cheap, and it’s a delight to see a filmmaker of Haynes’ caliber given such a worthy budget.”
