Review: Andy Nyman and Jeremy Dyson’s ‘Ghost Stories’
“Nyman and Dyson’s film is so full-bloodedly cinematic that it leaves one wondering how on earth they captured this on the stage.”
Benedict Seal
Review: Armando Iannucci’s ‘The Death of Stalin’
“In the end, the humor fades away in favor of political machinations, but the film’s killer gags are still numerable.”
Review: James Franco’s ‘The Disaster Artist’
“The Hollywood dream lives on proudly in ‘The Disaster Artist.’”
Review: Luca Guadagnino’s ‘Call Me by Your Name’
“‘Call Me by Your Name’ skips through time like a dream, or a calcified, powerful memory.”
Conduits of Fear: The Vital Role of The Youth in Horror
“Horror is a genre that believes, rightly, that young people are the future.”
London Film Festival Review: Léonor Serraille’s ‘Jeune femme’
“Dare I say it, but ‘Jeune Femme’ is as ripe for an American remake as any film I’ve seen on this year’s festival circuit.”
London Film Festival Review: Andrey Zvyagintsev’s ‘Loveless’
“Much like ‘Leviathan,’ the film is oppressively bleak.”
London Film Festival Review: Vivian Qu’s ‘Angels Wear White’
“Vivian Qu’s ‘Angels Wear White’ is another realist, slow cinema meditation on the social troubles in China.”
London Film Festival Review: Dee Rees’ ‘Mudbound’
“‘Mudbound’ plays the game and begins with a white man, but, throughout the course of an epic tale, it arrives at a moving destination.”
London Film Festival Review: Todd Haynes’ ‘Wonderstruck’
“This kind of world recreation doesn’t come cheap, and it’s a delight to see a filmmaker of Haynes’ caliber given such a worthy budget.”
