Review: Andy Nyman and Jeremy Dyson’s ‘Ghost Stories’
“Nyman and Dyson’s film is so full-bloodedly cinematic that it leaves one wondering how on earth they captured this on the stage.”
“Nyman and Dyson’s film is so full-bloodedly cinematic that it leaves one wondering how on earth they captured this on the stage.”
“In the end, the humor fades away in favor of political machinations, but the film’s killer gags are still numerable.”
“The Hollywood dream lives on proudly in ‘The Disaster Artist.’”
“‘Call Me by Your Name’ skips through time like a dream, or a calcified, powerful memory.”
“Horror is a genre that believes, rightly, that young people are the future.”
“Dare I say it, but ‘Jeune Femme’ is as ripe for an American remake as any film I’ve seen on this year’s festival circuit.”
“Much like ‘Leviathan,’ the film is oppressively bleak.”
“Vivian Qu’s ‘Angels Wear White’ is another realist, slow cinema meditation on the social troubles in China.”
“‘Mudbound’ plays the game and begins with a white man, but, throughout the course of an epic tale, it arrives at a moving destination.”
“This kind of world recreation doesn’t come cheap, and it’s a delight to see a filmmaker of Haynes’ caliber given such a worthy budget.”
“‘Lean on Pete’ hits the mark emotionally and reveals itself to be a poised, moving film.”
“Heavy-handed “meta” moments make the allusions worthless, and superhero films will keep hitting a glass ceiling until they can start creating their own cinematic mythology.”
“‘Wind River’ is a well crafted, but straightforward, thriller with an interesting setting and social context.”
“The title is, of course, a knowing joke. ‘Based on a True Story’ couldn’t be further from reality.”
“Sergei Loznitsa goes for absurdist satire, but, unfortunately, the joke’s on him.”
“‘Good Time’ plays like little more than a direct-to-video thriller.”
“Like a classic stand-up comedian, Baumbach is far more interested in observation than hot button provocation.”
“‘The Beguiled’ plays out exactly as one might expect and never really stretches beyond its contained premise.”
“‘How to Talk to Girls at Parties’ is spirited but doesn’t have anything new to say.”
“Like ‘Visages, villages’ and ‘Claire’s Camera,’ ‘The Workshop’ continues a Cannes 2017 trend for the unmatched power of creation and artistic expression, and this film reaches to darker depths than those tales.”