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Vague Visages (Vawg-Vee-Sawj)

Movies, TV & Music • Independent Film Criticism • Forming the Future • @VagueVisages • Owned & Operated by Q.V. Hough (@QVHough) Since 2014

An Interview with ‘Whispers of the Mountains’ Filmmaker Jigar Nagda

By Dipankar Sarkar on March 27, 2026

Review: 2026 Oscar Nominees for Animated Short Film

By Alistair Ryder on March 20, 2026

Review: 2026 Oscar Nominees for Live-Action Short Film

By Alistair Ryder on March 17, 2026

Review: 2026 Oscar Nominees for Best Documentary Short Film

By Alistair Ryder on March 16, 2026

Building the New Queer Canon #9: Richard Linklater’s ‘Blue Moon’ and the 2026 Oscars

By Alistair Ryder on March 12, 2026

An Interview with ‘Whistle’ Director Corin Hardy

By Joey Keogh on March 11, 2026
Frank Henenlotter Movie Essay - 1988 Film Brain Damage

The Boundary-Pushing Comedy in Frank Henenlotter’s Films

By Bill Bria on May 29, 2018

“Frank Henenlotter and his films have the demeanor of a naughty uncle making wild, dirty jokes while telling a campfire ghost story. He wants you to take the material seriously, but he’s mostly concerned with you having a great time.”

Scrappily-Assembled Star Wars: ‘Solo’ Is Safe Galactic Fun

By Caroline Cao on May 28, 2018 • ( 1 Comment )

“The film is not without heart, though its heart exists in scattered fragments without assimilating into a cohesive whole.”

The Transcendent Banality of ‘Joe Pera Talks with You’

By D.M. Palmer on May 25, 2018 • ( 2 Comments )

“In its absence of cynicism and surface mundanity, ‘Joe Pera Talks with You’ presents a conceit that feels genuinely daring in the context of a comic universe which prides itself on provocative fare from the likes of Tim and Eric, Dave Willis and Eric Andre.”

Vague Visages Writers’ Room: Favorite Bob Dylan Songs

By Vague Visages on May 24, 2018

In celebration of Bob Dylan’s May 24 birthday, Vague Visages writers list their favorite tracks.

Vague Visages Is FilmStruck: Alexander Mackendrick’s ‘Sweet Smell of Success’

By Jeremy Carr on May 24, 2018

“‘Sweet Smell of Success’ seems to exist somewhere beyond auteurist canonization or even the traditional Hollywood studio stock.”

Cannes Film Festival Review: Matteo Garrone’s ‘Dogman’

By Manuela Lazic on May 23, 2018

“Garrone is more sorry for Marcello’s corruption than he is frustrated by his naivety.”

The Inside Is Now the Outside: Kiyoshi Kurosawa’s ‘Cure’

By Leslie Hatton on May 22, 2018

“Memory and identity are inextricably linked.”

On Familiar Ground: Paul Schrader and the Death Impulse

By Michael J. Casey on May 21, 2018 • ( 1 Comment )

Michael J. Casey on Paul Schrader’s thematic links in ‘Taxi Driver,’ ‘Mishima: A Life in Four Chapters’ and ‘First Reformed’

Vague Visages Writers’ Room: Weekend Vibes 5.18.18

By Vague Visages on May 18, 2018

Weekend Vibes is a Friday column about streaming recommendations, new release hype and entertainment events. 

Cannes Film Festival Review: David Robert Mitchell’s ‘Under the Silver Lake’

By Ella Kemp on May 18, 2018 • ( 4 Comments )

“It’ll take more than a surface-level appreciation of ‘Under the Silver Lake’ to grasp what lies beneath real threats, instinctive desire and a swilling indebtment to the world that has shaped who we are.”

Photo Essay by Andy Witchger: Haim at St. Paul’s Palace Theatre

By Andy Witchger on May 17, 2018 • ( 2 Comments )

“Haim’s May 14 set, the penultimate stop on the U.S. leg of their ‘Sister, Sister, Sister’ tour, was the perfect showcase for the group’s achievements.”

Review: Coralie Fargeat’s ‘Revenge’

By Joey Keogh on May 17, 2018

“‘Revenge’ is not quietly revolutionary. It makes its message quite clear. Loud, brash, neon-colored and shot like a music video, the flick is unabashedly cool.”

Cannes Film Festival Review: Asghar Farhadi’s ‘Everybody Knows’

By Mo Muzammal on May 17, 2018 • ( 1 Comment )

“Though it’s not one of Farhadi’s best films, ‘Everybody Knows’ is still an effective, impactful thriller.”

Cannes Film Festival Review: Panos Cosmatos’ ‘Mandy’

By Ella Kemp on May 17, 2018 • ( 3 Comments )

“It’s unconventional and provocative, but with such a powerfully invigorating narration and clear passion between the lines, ‘Mandy’ feels like an explosive liberation.”

‘Bullitt’ at 50: On Peter Yates’ Mastery of Visual Storytelling

By Peter Bell on May 16, 2018

“Yates delivers the message that our chosen professions and work environments define who we really are. One cannot successfully live a dual existence. Love requires the joining of oneself to another person as well as that person’s job.”

An Interview with ‘California Dreams’ Director Mike Ott

By Yoana Pavlova on May 16, 2018

Yoana Pavlova Interviews Filmmaker Mike Ott

New York Indian Film Festival Review: Hansal Mehta’s ‘Omerta’

By Bedatri Datta Choudhury on May 14, 2018

“What could’ve been an intense peeking into the mind of a terrorist ends up being a somewhat naive, clinical recording of his wrongdoings.”

Walking Contradiction: The Double Life of Cisco Pike

By D.M. Palmer on May 14, 2018

“‘Cisco Pike’ is a meditation on failure at all levels; defeat was in the air and no stratum of society was exempt.”

An Indictment of the Responsible Adult: Ruben Östlund’s ‘The Square’

By Stefen Strysky on May 14, 2018 • ( 2 Comments )

“This isn’t simple hypocrisy. It’s a reversal of expected roles. Children in ‘The Square’ are equated with a moral courage that has been stripped from the film’s adults.”

Cannes Film Festival Review: Wanuri Kahiu’s ‘Rafiki’

By Manuela Lazic on May 11, 2018

“Without being didactic or simplistic, Kahiu shows the widely different ways in which the people around the girls react to their affection to suggest that, although not all Kenyans are homophobic today, lives are still ruined by a pervasive intolerance.”

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