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Vague Visages (Vawg-Vee-Sawj)

Movies, TV & Music • Independent Film Criticism • Forming the Future • @VagueVisages • Owned & Operated by Q.V. Hough (@QVHough) Since 2014

An Interview with ‘I, Poppy’ Filmmaker Vivek Chaudhary

By Dipankar Sarkar on April 3, 2026

An Interview with ‘Whispers of the Mountains’ Filmmaker Jigar Nagda

By Dipankar Sarkar on March 27, 2026

Review: 2026 Oscar Nominees for Animated Short Film

By Alistair Ryder on March 20, 2026

Review: 2026 Oscar Nominees for Live-Action Short Film

By Alistair Ryder on March 17, 2026

Review: 2026 Oscar Nominees for Best Documentary Short Film

By Alistair Ryder on March 16, 2026

Building the New Queer Canon #9: Richard Linklater’s ‘Blue Moon’ and the 2026 Oscars

By Alistair Ryder on March 12, 2026

Vague Visages Is FilmStruck: Ciara Pitts on John Sayles’ ‘Lianna’

By Ciara Pitts on July 11, 2018

“Sayles’ wonderful gem might not receive the attention it deserves — even in the realm of LGBTQ cinema — but it contains a message that undoubtedly resonates today: no one needs to apologize for who they love.”

The Legacy of a Whitetail Deer Hunter Review - 2018 Jody Hill Movie Film on Netflix

Netflix’s ‘The Legacy of a Whitetail Deer Hunter’ Plays It Safe for Maximum Viewership

By Q.V. Hough on July 10, 2018

“‘The Legacy of a Whitetail Deer Hunter’ lacks ‘true grit.’ It’s designed to feel relatable, yet Brolin’s impassioned performance can only do so much to override the stock dialogue and the narrative’s lack of originality.”

We Belong Dead: Immortality and Mourning in Boris Karloff’s Monster Movies

By Sam Moore on July 9, 2018

“Imhotep, like the Monster, has come from the dead, and this informs the ways in which he relates to the living. More importantly, it impacts the ways in which he relates to death and mortality.”

You Gotta Act: John Cusack’s Passionate and Pragmatic Approach to His Craft

By Manuela Lazic on July 6, 2018

“Looking at Cusack’s entire body of work helps one realise that, with age and experience, he has built an increasingly complex and multifaceted persona, playing off his image in order to counter expectations and, probably, to remain excited by his job.”

Photo Essay by Andy Witchger: Janelle Monáe’s Dirty Computer Tour at Minneapolis’ State Theatre

By Andy Witchger on July 5, 2018

“Monáe paused throughout the night, using her platform to voice increasingly confident calls to political action. ‘We fight for women’s rights. We fight for minority rights. We fight for poor folks’ rights. We fight for immigrants’ rights. Most of all, we fight for love.’”

More Than Just Design: ‘Incredibles 2’ and Yesterday’s Tomorrow

By Michael J. Casey on July 3, 2018

“Clean and sleek Jet Age Futurism bleeds into every nook and cranny of ‘Incredibles 2’ — so much so that Bird seems to be saying ‘this is what we should have been doing all along.’”

Reminiscent of Hollywood’s Golden Age: Christopher Nolan’s ‘The Dark Knight’

By Peter Bell on July 3, 2018 • ( 1 Comment )

“‘The Dark Knight’ offers far more than a well-crafted comic book tale. Nolan provides a thoughtful film about love, sacrifice and the greater good; the underlying themes stand the test of time and merit celebration upon the classic’s 10th anniversary.”

Vague Visages Is FilmStruck: Stefen Styrsky on Takeshi Kitano’s ‘Boiling Point’

By Stefen Strysky on June 29, 2018

“Kitano possesses an eye for color and mise-en-scène. Passages often become works of visual art in themselves.”

An Interview with ‘You Were Never Really Here’ Cinematographer Tom Townend

By Sam Ankenbauer on June 29, 2018

Sam Ankenbauer Interviews Cinematographer Tom Townend

A Terrain of Violence: Clio Barnard’s ‘Dark River’

By D.M. Palmer on June 28, 2018

“‘Dark River’ excels in the areas where Barnard has already proven herself adept: she draws stellar performances from her cast across the board, and creates a vibrant naturalism without sacrificing tone or style.”

Vague Visages Is FilmStruck: Ciara Pitts on Donna Deitch’s ‘Desert Hearts’

By Ciara Pitts on June 26, 2018

“Deitch’s trailblazing film demonstrates that representation will always be essential.”

Vague Visages Is FilmStruck: Stefen Styrsky on Elia Kazan’s ‘Splendor in the Grass’

By Stefen Strysky on June 26, 2018 • ( 1 Comment )

“The movie isn’t just about the way it was, the prudish hypocrisy of an earlier time, or outdated sexual mores. For all its provincialism, ‘Splendor in the Grass’ is a story for the ages.”

NoBudge Breakdown: June 18-24, 2018

By Q.V. Hough on June 25, 2018

NoBudge Breakdown is a weekly round-up of featured films at NoBudge.

VV NOBUDGE PICK OF THE WEEK: Parker Hill’s ‘Homing In’

Vague Visages Is FilmStruck: David Pountain on Takeshi Kitano’s ‘Sonatine’

By David Pountain on June 25, 2018 • ( 1 Comment )

“From its hypnotic style to its pessimistic plot and languid pacing, ‘Sonatine’ is a mesmerizing manifestation of the troubling logic of Murakawa’s final decision.”

You Gotta Act: It’s Paul Rudd’s Time

By Manuela Lazic on June 22, 2018 • ( 2 Comments )

“The sentiment that Hollywood doesn’t respect comedy persists, but Rudd is living proof that laughter is the secret to eternal youth.”

The Searchers Movie Essay - 1956 John Ford Film

Vague Visages Is FilmStruck: John Ford’s ‘The Searchers’

By Jeremy Carr on June 22, 2018 • ( 2 Comments )

“‘The Searchers’ has moments of low-brow comedy and moments of penetrating tension, its interconnected themes involve love and guilt, and its visual and spiritual essence falls somewhere in the realm of poetic melancholy.”

Review: Claire Scanlon’s ‘Set It Up’

By Joey Keogh on June 22, 2018 • ( 1 Comment )

“As a showcase for two actors who more than deserve their moment to shine, ‘Set It Up’ is hugely satisfying. As a modern romantic comedy, it’s glorious.”

Vague Visages Is FilmStruck: Ciara Pitts on Abdellatif Kechiche’s ‘Blue Is the Warmest Color’

By Ciara Pitts on June 22, 2018 • ( 1 Comment )

“‘Blue Is the Warmest Color’ might be most well-known for its lengthy sex scenes, but the gripping romance, elaborate imagery and realistic demonstration of the human experience are what truly keeps the film’s legacy alive.”

Vague Visages Short Stories: Find Your Perfection by D.M. Palmer

By D.M. Palmer on June 21, 2018 • ( 1 Comment )

Vague Visages Short Stories #10: Find Your Perfection by D.M. Palmer (Sheffield, UK)

See and Be Seen: Aaron Schimberg’s ‘Chained for Life’

By Tanner Tafelski on June 20, 2018 • ( 1 Comment )

“In a borough of New York teeming with independent and micro-budget filmmakers, Aaron Schimberg is one of the handful to keep an eye out for with every new work that he makes.”

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