“For a debut feature, ‘Kiss Me Before It Blows Up’ is a bold and assertive movie that nails a few funny moments, but it would’ve benefitted from a more nuanced exploration of its complex subject matter.”
“Looking back on early-2000s fare, ‘Get Over It’ stands out as smarter, sweeter, funnier and weirder than many of its contemporaries…”
“It’s a delight to watch Stork think in ‘Preparations to Be Together for an Unknown Period of Time.’ Her cogitations are signaled by the darting actions of her piercing blue eyes, the slight flex of an eyebrow or the raising of a subtle and pursed smirk.”
“One of the great pleasures of watching any Almodóvar film, but especially ‘Julieta,’ is studying its expressionistic textures…”
“‘As We Like It’ is a film that makes many unique moments out of its childish buffoonery, and it’s lifted, like its characters, into a class of its own.”
“‘Southland Tales’ and ‘Kaboom’ aren’t defined BY their end-of-days narratives, as their apocalypses define the contents through the fulfillment of apocalyptic revelations.”
Dominic Erickson Interviews ‘The Nest’ Director Sean Durkin
“The cold numbness of ‘Antarctica’ perfectly encapsulates the constant physical and emotional hardship faced not just by the current teen generation, but girls in particular.”
“Nothing presented in ‘The Nest’ will radically alter the viewer’s perception of the family unit, marriage or even greed, but Durkin’s film suggests that is indeed the point.”
“Coppola has always shown an affinity for mixing laughter and introspection, and ‘On the Rocks’ successfully deploys the strategy.”
“There’s a dark warning at the heart of ‘Blood on the Moon’ that still rings true today.”
“The six major theatrical adaptations of Phantom’s story cover a wide realm of romantic horror, fully exploiting the themes and concepts within the character.”
“Lee has, over his two films so far, proven a dab hand at teasing out unexpressed, furtive desires, depicting both the visceral emotions and gritty physicality of same-sex romance with empathy and an understated artistic flair.”
“‘Supernova’ is a film that many will cherish if audiences can be absorbed by the overt metaphors and can look beyond the Rich White Male vantage point.”
“Many British micro-productions focus on Britain’s mud. ‘Rose’ shows us the frost.”
“Rebecca’s greatness stems from its faithful approach to the Gothic roots of du Maurier’s novel, foregrounding all of the most important themes like repression of the past and marriages full of conflict.”
“It’s easy to feel a sense of loss for the great actress and movie star that Paltrow could have become, had she not lost interest in the profession and shifted her attention to her questionable business empire.”
“Although the events in ‘The Virgin Suicides’ may not be presented through an innately nostalgic lens, they become a binding source of nostalgia by viewing the film 20 years after its initial wide release.”
“‘Joe Versus the Volcano’ is as thoughtful and sensitive as it is goofy. It brims with the sort of amazement that can reawaken forgotten feelings, and resuscitate a heart clogged by ennui.”
“As much as I love a good story, the best movies always transport me, in an intangible sense, through the base elements.”