“‘Making Waves: The Art of Cinematic Sound’ often turns its ears to previously unheard nooks and crannies that will light a fire in the next generation of world-class film artists.”
“More than ever, it’s crucial to be more cognizant about the complexities of social situations, certainly when speaking to, or speaking about, people with disabilities.”
“‘The Green Fog’ is another shining example of how easy it can be to disappear in the silver screen labyrinth. These mirrors and rhymes of familiar sights, looks, places, actions and themes form the basis of how we experience narrative filmmaking.”
“‘The Truth’ is best viewed as a watered down (but often quite enjoyable) riff on many of Assayas’ recurrent thematic obsessions.”
“‘Transference’ feels like a 13-and-under science fiction-themed board game. The pieces are clearly labeled, the color design fits the genre premise and the directions are confusing.”
“The lack of resolution inherent in the source material sets up an insurmountable task: the solution to the central crime and mystery that puts this particular story in motion.”
“Rowland’s direction throughout is clean and deliberate, rarely showy. He evokes the kind of barren small town where there is almost nothing to fight over, although some still find a way. There’s a bleakness to all of it, a greyness.”
“Sumptuously designed, elegantly appointed and spectacularly costumed and coiffed, de Wilde’s fresh rendition has a piquant flavor complemented as much by self-aware sexiness as the abundant pastel hues on display.”
“‘Jezebel’ is a rallying cry for all black girls trying to figure out who they see in the mirror and on the screen.”
“‘Miss & Mrs. Cops’ is a genuinely light-hearted movie which never strays into the emotional register of real life or real pain.”
