“I was taken with You Don’t Nomi’s comfortable attitude toward the complexity and ambiguity of a text that can support and sustain such wildly opposite readings.”
“‘Brigitte’ is a slight and sweet addition to Ramsay’s catalogue, and it gently leaves its impressions.”
“When ‘Make Up’ reaches the light at the end of its twisted tunnel, its culmination is gratifying and sumptuously-realised.”
“The black and white edition of ‘Parasite’ is a gift, and the real beacon shining brightly in the dark.”
“The ideas present are intriguing, however The Rental’s ultimate staying power is questionable.”
“Indonesian horror has been gradually finding its feet over the past few years, and ‘Impetigore’ shows that we’ve barely even scratched the surface.”
“A haunting study of Grecian prophecies and inherited mental illness, ‘Relic’ makes beasts of the mind.”
“Behold the elegance and oft-cited aesthetic minimalism with which Reichardt unfolds so many thoughts and ideas about race, representation and gender.”
“Greyhound’s inability to venture further into the depths of wartime psychology leaves it susceptible to being forgotten just as quickly as it emerged.”
“James’ arresting, emotional and attention-grabbing film understands that what’s most frightening is barely glimpsed and feels disarmingly normal.”