“If Hertzfeldt’s ability to successfully expand on the emotional terrain and metaphysical considerations of previous chapters is a recipe, then he is an impeccable cinematic chef de cuisine.”
“Johnson brilliantly arranges and organizes the vignettes that account for her unique ‘living obituary.'”
“Zhao’s style is evocative but accepting.”
“Never weird for the sake of weird, July’s movies are perfectly prismatic, refracting facets of recognizable life experiences through the singularity and peculiarity of her vision.”
“‘Murder in the Woods’ is a slight but entertaining offering, sold completely and committedly by a talented cast of fresh, new faces and with a bonus appearance by the always-welcome Danny Trejo to boot.”
“Even though Seimetz’s ‘ideological contagion’ might have its roots in coping strategies for depression and a range of mental health issues, the director works wonders by imagining how one might react upon learning about their imminent death.”
“Unfortunately, Kriya’s script is the weakest link. Much of the dialogue sounds like it was lifted straight from a soap opera, and the film occasionally veers into melodrama, which isn’t particularly becoming for a folk horror film set almost entirely in a single location.”
“With ‘Tenet,’ Nolan evolves as a surrealist director, yet his writing style does not similarly advance.”
“Point of view and selfhood have assumed for Kaufman a place of great consequence from ‘Being John Malkovich’ to ‘Eternal Sunshine of the Spotless Mind’ to ‘Anomalisa,’ and ‘I’m Thinking of Ending Things’ is a remarkable extension.”
“The appeal and popularity of the Action Park documentary and book, along with eager anticipation for the upcoming TV series, evidences a shared human proclivity to embellish one’s “street cred.”
“The manipulation of popular characters outside the control of original creators has existed for hundreds of years, but what makes ‘Feels Good Man’ especially significant is the entanglement with ‘fake news’ during the era of Trump…”
“‘You Cannot Kill David Arquette’ is an incredibly moving and life-affirming lesson in following your dreams at all costs.”
“‘Lapsis’ offers the intriguing and hopeful possibility that our technologically dependent future may not be so bad after all.”
“Even seen without the lens of current events, ‘Alone’ is a harrowing experience that earns its power by being uncomfortably credible.”
“It may seem strange to qualify Mertens’ audaciously original production as ‘horror’ when it has no gory set pieces, jump scares, monsters or special effects. Yet, despite a lack of these things, ‘Time of Moulting’ is very much a horror film.”
“‘Lucky’ is a rallying cry for women everywhere to fight back, to keep speaking up and to go it alone when all else fails.”
“As the debate rages on about whether strong female characters in movies should evoke admiration through heroism or just be flawed, human and sometimes downright unlikeable, it’s nice to see that Brea Grant created a film that’s full of different women.”
“‘Dinner in America’ is a special movie with a genuinely punk rock feel and a charmingly odd couple at its heart. There are enough laughs and swoon-worthy moments to mark it out as the best, and weirdest, rom-com in years.”
“Through a graceful use of Mozart’s music, ‘She Dies Tomorrow’ urges the audience to question their lives and unavoidable deaths.”
“It may sound strange to call a documentary about fans of a gory horror franchise ‘sweet,’ but that’s exactly what ‘Hail to the Deadites’ is.”
