“In ‘Evangelion,’ youth is depicted not as an event to look back on with nostalgia, but as an arduous task to be overcome. Shinji’s story is one that demands he confront rather than escape…”
“Sometimes, films set in and around Hollywood manage to capture a sense about the place that’s strange and uncanny, a place in love with its past and afraid of its future, leaving nothing but ghosts behind to haunt the hills, and to walk the empty mansions.”
Mike Thorn on 25 Years of Marilyn Manson
“There is nothing quite like a Ty Segall show. Witnessing this talented wunderkind and his equally spectacular band in a live setting is nothing short of mind-blowing (and eardrum-rupturing, for that matter).”
“‘10 Things I Hate About You’ has that slap-you-in-the-face energy. Wake up, it shouts, teen movies can be smart, empowering, entertaining and funny all at once. And they really don’t get much better than this.”
Yoana Pavlova Interviews Video Essayist Kevin B. Lee
“The characters in ‘Ladies and Gentlemen, the Fabulous Stains,’ ‘Smithereens’ and ‘Suburbia’ find in punk rock a convenient shorthand for authenticity, a posture which presages its eventual absorption into the very mechanisms it sets out to oppose.”
Pablo Staricco Cadenazzi Interviews ‘Madeline’s Madeline’ Cinematographer Ashley Connor
Greg Carlson Interviews ‘Napoleon Dynamite’ Actor Efren Ramirez
Vague Visages Short Stories #14: Bunk Bed by Georgia Luckhurst
“That Cornish has managed to make two films that can easily be viewed as thoughtful ruminations on the state of Britain in the centre of two national crises should be applauded.”
“Kore-eda has the caring, loving eyes of a father who cannot help but follow all his children walking hand in hand towards the horizon.”
“Few animated films look like Yamada productions, fewer still feel like them.”
Marshall Shaffer on Film Society of Lincoln Center’s Rendez-Vous with French Cinema 2019
Yoana Pavlova Interviews ‘We’re All Sailors’ Filmmaker Miguel Ángel Moulet and Cinematographer Camilo Soratti
“For Paul Schrader, First Reformed’s visual style realizes ideas of transcendental style that he first theorized at the beginning of his career. But that style only works because it serves the story and character he crafted so carefully.”
“‘BlacKkKlansman,’ fairly or not, will be judged as Lee’s ‘comeback’ movie. He never really left, of course.”
Just days before winning Album of the Year at the 2019 Grammy Awards, Kacey Musgraves performed ‘Golden Hour’ songs at a sold-out Palace Theatre in St. Paul, Minnesota. Check out Andy Witchger’s photo essay.
“There is little doubt that ‘Gabriel Over the White House’ was a test balloon of sorts, priming the audience for a discussion on the merits of the strongman leader, asking them what they would be willing to sacrifice in order to ameliorate the national plight.”
Iana Murray on Her London Film Festival Conversation with ‘Burning’ Star Steven Yeun