Netflix Review: Barry Avrich’s ‘Made You Look: A True Story About Fake Art’
“When viewed as a character study, ‘Made You Look’ is the rare art documentary that has a re-watchable quality.”
Q.V. Hough
Q.V. (Quinn) Hough is Vague Visages’ founding editor.
Netflix Review: ‘Brian Regan: On the Rocks’
“Whereas many Netflix acts are so clearly designed to address cultural topics A, B, and C — whether it’s politics, social media, or celebrity culture — Regan riffs away with evergreen observational humor that gives ‘On the Rocks’ a timeless quality…”
The Code Complex: Leonardo DiCaprio, Jim Carroll and ‘The Basketball Diaries’
“DiCaprio’s early 90s accomplishments have been widely dismissed or ignored ever since Titanic’s Jack Dawson become a beloved movie figure amongst parents and their nostalgia-loving kids.”
Novella Review: Jared Feldschreiber’s ‘Reckless Abandon’
“There’s a sense of magical realism that shines through in ‘Reckless Abandon,’ almost like the protagonist Duggan could be roaming about 1984 Manhattan in a dream state.”
The Code Complex: Robert De Niro, Jake LaMotta and ‘Raging Bull’
“‘Raging Bull’ — a complex character study about methods and codes of conduct — all too often gets reductively tagged as Scorsese’s toxic masculinity sports movie that allowed De Niro to lose (and gain) weight in pursuit of an Oscar.”
Martin Scorsese, ‘Mean Streets’ and Caravaggio’s Moment of Illumination
“In Caravaggio and Scorsese’s art, the silent actions of male and female characters speak louder than words. We don’t need to hear Holofernes scream to understand what Judith has taken.”
Review: Ashley Eakin’s ‘Single’
“More than ever, it’s crucial to be more cognizant about the complexities of social situations, certainly when speaking to, or speaking about, people with disabilities.”
Review: Matthew Ninaber’s ‘Transference’
“‘Transference’ feels like a 13-and-under science fiction-themed board game. The pieces are clearly labeled, the color design fits the genre premise and the directions are confusing.”
That Sweet Smell of Success: On Bruno de Almeida’s ‘Cabaret Maxime’
“By addressing the dark realities of show business, ‘Cabaret Maxime’ spotlights the beauty of unconditional artistic love – for an individual creative pursuit, and for a shared belief system amongst peers.”
‘The Wave’: A Promising Fiction Debut from Gille Klabin
“‘The Wave’ spotlights the proverbial writing on the wall for its most flawed characters, but also makes sure to settle on the base-level humanity of others. The result is an affecting and forward-thinking film that pinpoints what it means to be self-aware.”
Review: Alexa-Jeanne Dubé’s ‘SDR’
“Based on ‘Oui mais non’ and ‘S.D.R.,’ Dubé seems fully capable of tackling various genres, and taking the medium forward into the future.”
Review: Marianne Métivier’s ‘She Who Wears the Rain’
“‘She Who Wears the Rain’ shows how lucid dreaming engagement can help people cope with mental health issues.”
Review: Milena Lurie’s ‘Entangled’
“‘Entangled’ feels like a clunky ‘Love in New York’ story during the first hour, but ultimately transforms into a moving tale about self-love and acceptance.”
Vague Visages and Festival Scope Partner Up for Festival du Nouveau Cinéma
Between October 21 and November 3, Festival Scope is showcasing Festival du Nouveau Cinéma (FNC). Vague Visages is proud to once again be a media partner. Festival Scope’s latest spotlight features a selection of international shorts, with only 200 unique free screenings available worldwide. All films are available […]
Review: Daniel Kremer’s ‘Overwhelm the Sky’
“Mesmerizing and immaculately-structured, ‘Overwhelm the Sky’ is an ambitious indie epic that doesn’t waste a single minute.”
Review: Rob Grant’s ‘Harpoon’
“Rob Grant’s ‘Harpoon’ exudes all the sly confidence of a well-prepared and half-in-the-bag wedding table orator.”
Review: Henry Alex Rubin’s ‘Semper Fi’
“‘Semper Fi’ leans heavily on male codes of honor but doesn’t fully explore the motivations for the primary players, a group of Marines trying to re-acclimate to life in upstate New York. As a result, the final act suffers.”
On Performance by Q.V. Hough: Rosamund Pike in ‘A Private War’
“In ‘A Private War,’ Rosamund Pike embodies a woman under the influence, a real-life war journalist in pursuit of truth. She establishes an authentic physical interpretation — high shoulders, low vocal tone, 90-degree arm posturing — and then improvises for a more in-depth character portrait.”
La Quinzaine des Réalisateurs Review: Ariane Labed’s ‘Olla’
“Through sharp sound design and awkward moments of situational comedy, ‘Olla’ highlights the inner fire of a young woman; a charismatic vagabond. Like her frequent collaborator Yorgos Lanthimos, Labed uses tonally offbeat situations to hilariously explore perceptions of logical and illogical behavior.”
Review: Michael K. Feinstein’s ‘The Browsing Effect’
“Written and directed by Michael K. Feinstein, ‘The Browsing Effect’ highlights the beauty of lasting connections. Despite pressing too hard on social media tropes, the film includes numerous charming performances and genuine laugh-out-loud moments.”
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