LFF 2025 Review: Rian Johnson’s ‘Wake Up Dead Man: A Knives Out Mystery’
“‘Wake Up Dead Man’ transforms into something more impactful by sincerely and non-judgmentally attempting to grapple with faith from an atheist’s perspective.”
“‘Wake Up Dead Man’ transforms into something more impactful by sincerely and non-judgmentally attempting to grapple with faith from an atheist’s perspective.”
“‘Plainclothes’ isn’t necessarily a kinky film — it just does better than most tales of life in the closet to explain why this can be more alluring than coming out and finding somewhere to make these connections in the open.”
“In ‘One Battle After Another,’ the political is inextricable from the personal, in a way that transcends a mere commentary on Trump’s America.”
“Just like a Hollywood actor or actress who doesn’t quite know when to stop performing amongst family members and friends, ‘Borderline’ is frequently annoying yet always entertaining and unpredictable.”
“‘Somnium’ is rather predictable, as first-time feature filmmakers like Cain tend to prioritize visual design over the nuts and bolts of their script.”
“Aside from the half-assed plotting, the biggest flaw of ‘Honey Don’t!’ is that even with Cooke’s involvement, the sexuality of the protagonists lacks any sort of perceptive depth, with no inter-character dynamic feeling more lived-in than the plot needs it to be.”
“What I really appreciate about ‘Sirāt’ is Laxe’s constant bucking of expectations.”
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