Album Review: Migos ‘Culture’
“‘Culture’ could already be described as a career-defining work, except Migos’ career is still being defined.”
IFFR 2017 Review: Sophie Goyette’s ‘Mes nuits feront écho’
“We can’t always get what we want, but ‘Mes nuits feront écho’ shows that, in our dreams, we are in charge.”
IFFR 2017 Review: Pedro Aguilera’s ‘Demonios tus ojos’
“All in all, ‘Demonios tus ojos’ is a movie about the excitement of doing something prohibited.”
Review: Josh Appignanesi and Devorah Baum’s ‘The New Man’
“The director’s own forthrightness is, at once, both refreshing and perplexing.”
IFFR 2017 Review: Kevin Phillips’ ‘Super Dark Times’
“The beauty of ‘Super Dark Times’ can be found in its caring and sensitive vision for the characters’ world.”
Album Review: The Flaming Lips ‘Oczy Mlody’
“Ultimately, ‘Oczy Mlody’ is a hangover from one too many Cyrus-thrown bashes.”
Sparkling Romances and Sweet Facades: Damien Chazelle’s ‘La La Land’
“Might I put it out into the ether that a ‘weak link’ doesn’t exist in ‘La La Land’.”
Made Like Welles: Denzel Washington’s ‘Fences’
“In my mind, ‘Fences’ and Denzel’s work is comparable to the best of Orson Welles.”
EP Review: Of Montreal ‘Rune Husk’
“This is the closest anyone has come to the Head-era Monkees.”
Album Review: Jay Som ‘Turn Into’
“‘Turn Into’ is a throwback to the “guitar record”; this is a hook-driven, lushly layered experience; guitar tone as mood enhancer.”
Review: Martin Scorsese’s ‘Silence’
“For all its violence and grandiosity, it stands as an impressively filmed indictment against religious persecution.”
Weak Story Beats Muddle ‘Frank & Lola’
“There’s plenty to appreciate in ‘Frank & Lola,’ and it’s far from a bad film. However, the story beats feel awkward and random.”
Album Review: Neil Young ‘Peace Trail’
“He’s still planting seeds and still stoking fires.”
The Subversive Power of ‘Elle’
“‘Elle’ is a demented Rorschach test of the highest degree.”
Album Review: Childish Gambino ‘Awaken, My Love!’
“AML is giant leap forward, as the juvenile raps/punchlines of previous records are replaced with deep-felt yearning.”
A Mother’s Twisted Love: Lucile Hadzihalilovic’s ‘Evolution’
“Elliptical and predominantly visual, ‘Evolution’ will frustrate any viewer unwilling to let go of common sense.”
Streamless – Off the Subscription Grid: ‘Heavy Metal Parking Lot’
“This is L-I-V-I-N in the moment at its best.”
RIDM 2016 Review: Atsushi Funahashi’s ‘Raise Your Arms and Twist – Documentary of NMB48’
“Focusing on a group from Osaka rather than Tokyo unveils a more nuanced reality of the industry, offering a look from the outside.”
RIDM 2016 Review: Nele Wohlatz’s ‘El futuro perfecto’
“As we take for granted the ease of our own native tongue, we are perhaps ignoring its full potential.”
Los Cabos IFF Review: Pablo Larraín’s ‘Jackie’
“Portman’s vivid portrayal is the film’s greatest strength, coasting through woebegone New England accents and the script’s on-the-nose airing of themes in the final act.”