“Hittman has created a powerful, sensual film about identity, loss and the complicated space that often lies between desire and expectation.”
“‘In Transit’ attests to the possibility of human connection and serves as a reminder to the insights Albert Maysles has given us over the last 50 years.”
“De Sica has mentioned ‘The Shining’ and ‘Dead Poets Society’ as influences, and ‘Children of the Night’ is at its best when it favors the former.”
“Sleek visuals and cryptic dialogue aren’t enough to save a film that’s essentially a truncated season of ‘House of Cards.'”
“‘Indivisible’ is a fantastically imaginative coming-of-age tale, an opera of sweeping creativity and a universal human love story.”
“According to Jacobs, romantic love is a negative equation wherein passion plus time equals complacency.”
“‘Sambá’ succeeds most when it draws inspiration from its setting and hooks the audiences with hard questions about crime and responsibility.”
“It’s a miracle that Golden and McDonnell were able to create such a coherent document out of what appears to be bureaucratic chaos.”
“Canet’s performance seems to come from a place of real insecurity, and the resulting film plays out like an externalized catharsis.”
“What ‘Sweet Virginia’ and ‘Hondros’ have in common is the notion that men with guns aren’t as brave or bloodthirsty as they seem.”
