Salvation Through Cinema: Interview with ‘Boys Cry’ Directors Damiano and Fabio D’Innocenzo
Pablo Staricco Cadenazzi Interviews Italian Directors Damiano and Fabio D’Innocenzo
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Vague Visages Writers’ Room: Weekend Vibes 6.1.18
Weekend Vibes is a Friday column about streaming recommendations, new release hype and entertainment events.
Photo Essay by Andy Witchger: Haim at St. Paul’s Palace Theatre
“Haim’s May 14 set, the penultimate stop on the U.S. leg of their ‘Sister, Sister, Sister’ tour, was the perfect showcase for the group’s achievements.”
Cannes Film Festival Review: Cristina Gallego and Ciro Guerra’s ‘Birds of Passage’
“Guerra and Gallego may not have reproduced the surreal images from ‘Embrace of the Serpent,’ but their determination to preserve the history of those who capitalism has destroyed remains as strong and necessary as ever.”
Critics in Conversation: Talking about Filmmakers and Talking with Them
Manuela Lazic and Adam Nayman on Conducting Interviews and Writing about Directors
Let the Right Light In: On Escapism, Coping Mechanisms and Master Projections in Paul Thomas Anderson’s ‘The Master’
“The processing conversation is perhaps the most telling sequence of all, as Quell submits to The Master — the Master Projection — and acknowledges his own self-deception.”
Review: Paul Thomas Anderson’s ‘Phantom Thread’
“If indeed this is Day-Lewis’ swan song, ‘Phantom Thread’ is the crowning achievement of a monumental career.”
The Bees Won’t Sting: On Celebrity Adoration, Hollywood Misdirection and Paul Thomas Anderson’s ‘Boogie Nights’
“At some point, you’ve got to take down the celebrity posters, or at least reassess what they represent.”
‘American Made’: Cruising into Character
“One doesn’t expect an immediate return to iconic roles like Vincent Lauria or T.J. Mackey, but hopefully Barry Seal is just the start.”
TIFF 2017 Review: Govinda Van Maele’s ‘Gutland’
“The brooding ominousness Van Maele plays with throughout seems to run through many of this year’s European offerings.”