An Interview with ‘Babita Singh Reporting’ Director Ambiecka Pandit
‘Babita Singh Reporting’ Interview: Dipankar Sarkar discusses the 2026 Amazon movie with director Ambiecka Pandit.
‘Babita Singh Reporting’ Interview: Dipankar Sarkar discusses the 2026 Amazon movie with director Ambiecka Pandit.
‘Backrooms’ Soundtrack: A Vague Visages guide for every song in Kane Parsons’ 2026 movie.
‘The Last House’ Soundtrack: A Vague Visages guide for every song in Louis Leterrier’s 2026 Netflix movie.
‘The Devil’s Mouth’ Soundtrack: A Vague Visages guide for every song in Jeff Wadlow’s 2026 Amazon movie.
‘Phera’ Interview: Dipankar Sarkar discusses the 2026 movie with director Pritha Chakraborty.
‘Backrooms’ Cast: A Vague Visages guide for every actor and character in Kane Parsons’ 2026 movie.
‘The Devil’s Mouth’ Cast: A Vague Visages guide for every actor and character in Jeff Wadlow’s 2026 Amazon movie.
‘Noi Kotha’ Interview: Dipankar Sarkar discusses the 2025 movie with filmmaker Pankaj Borah.
“Eli Roth’s exercises in bad taste are always more tiresome than they are provocative, and his latest effort ‘Ice Cream Man’ is no different…”
“‘Camp’ is ultimately much easier to admire than enjoy.”
‘The Long Walk’ Soundtrack: A Vague Visages guide for every song in Francis Lawrence’s 2025 movie.
‘The Long Walk’ Cast: A Vague Visages guide for every actor and character in Francis Lawrence’s 2025 movie.
‘Obsession’ Soundtrack: A Vague Visages guide for every song in Curry Barker’s 2025 movie.
‘Obsession’ Cast: A Vague Visages guide for every actor and character in Curry Barker’s 2025 movie.
‘The Mummy’ Soundtrack: A Vague Visages guide for every song in Lee Cronin’s 2026 movie.
‘Early Days’ Interview: Dipankar Sarkar discusses the 2025 movie with filmmaker Priyankar Patra.
‘Mayilaa’ Interview: Dipankar Sarkar discusses the 2026 movie with filmmaker Semmalar Annam.
“‘Saccharine’ is an effective queer love story and a surprisingly moving tale of female friendship surviving against increasingly insurmountable odds. Let women be gross!”
“‘Obsession’ refuses to underestimate the emotional intelligence of the audience and refrains from spoon-feeding viewers monologues about abuse and trauma.”
“‘Hokum,’ much like ‘Caveat’ and ‘Oddity,’ is pure nightmare fuel. But there’s a small tinge of hope — a suggestion that forgiveness is possible — that differentiates it from McCarthy’s previous movies.”