The Agony and the Eczema: The Night Of ‘Subtle Beast’ (Recap)
“Beyond racial insensitivity, the opening hours of ‘The Night Of’ have been marked by attempts at complexity which end up doing little to give characters depth.”
“Beyond racial insensitivity, the opening hours of ‘The Night Of’ have been marked by attempts at complexity which end up doing little to give characters depth.”
“The episode stumbles by dogmatically adhering to Chekhov’s gun more than is necessary or beneficial, but the talents of Zaillian, Price and the cast still give ‘The Night Of’ an excellent start.”
“Where ‘Battle of the Bastards’ stumbled by offering simplistic resolutions to complicated problems, ‘The Winds of Winter’ soars by reveling in the dark ambiguities of Westeros’ violent brutality.”
“Game of Thrones has long thrived on the ambiguous moralities and complex psychologies of its anti-heroes, but ‘Battle of the Bastards’ pushes its current season towards culminating in a jarringly tidy climax.”
“After the emotional revelation of the origin of Hodor’s name, HBO’s ‘Game of Thrones’ has been in a bit of an awkward place.”
“After the twin climaxes of last week’s Hodor reveal and Daenerys’ enflamed emergence in the preceding episode, it was only natural for HBO’s ‘Game of Thrones’ to need a bit of a breather.”
“Jon Snow may be the one who comes back to life, but it’s the women of Westeros who are increasingly shaping the direction of Season Six.”
“And just like that, things are looking up for Season Six.”
“Will the execution weigh on Jon as he experiences life beyond the Night’s Watch?”
“As good as Game of Thrones can be at revealing shades of grey in ostensibly irredeemable characters, the show is equally adept (if not more so) at making its villains as detestable as can be.”
“There’s a lot of expository detail, and little development in the singular arcs beyond the exposition.”
“Season 5 of HBO’s ‘Girls’ is now done, and so it is time to bestow upon it ‘one of the all-time best seasons of TV’ accolades.”
“Vinyl’s sense of music history is surface-level and haphazard, and, most damning, it has yet to fully reveal why it needs to exist (over the course of 11 entire hours).”
“This is the first time in what seems like quite a while that I’ll actively be looking forward to the next season at the end of the current one.”
“‘Rock and Roll Queen’, the ninth and penultimate episode of Season One, is largely a gathering together of ongoing plot threads and weaving them into a runway on which the entire season will land next week, and that’s fine.”
“Girls is so fucking good this year.”
“Because, man, when Vinyl sucks, it really sucks. But when it doesn’t suck… it doesn’t suck. Read that back as early 70s Iggy Pop, it’s a better line that way.”
“‘The Panic in Central Park’ is a richly realized half hour of television, maybe the best episode in the history of a show that’s had some awfully good ones.”
“Is there any point to Richie being an asshole? Is Richie even a character? What is it about Richie Finestra as a protagonist that requires this story be set in the early 70s?”
“Thirty years after its release, the gender play, sexual politics and physical comedy shine as brightly as the 100-watt headlight on its star’s beloved bike.”