Intimate Observations: True Detective ‘The Western Book of the Dead’ (Recap)
“This is Los Angeles pulp fiction — not a mystical world of sky monsters and poetic speeches.”
“This is Los Angeles pulp fiction — not a mystical world of sky monsters and poetic speeches.”
“Seldom more than a vehicle for Pacino to exercise his considerable (and still active) talents, Manglehorn is a string of engaging and breathtaking images that, when strung together, become a subdued meandering plot devoid of any real meaning.”
“Game of Thrones may disappear from the conversation for brief lulls, but it always returns with full force — it is doing something right.”
“Now in its fifth season, Game of Thrones has long settled in the category of dread built on anticipation.”
“The threat of rape hangs over all the women of Game of Thrones, and it is beginning to weigh on the audience.”
“Rape is often portrayed as worse than death in popular culture, and unfortunately Game of Thrones uses it often as a device with little framing or exploration.”
“A plethora of likable characters and tidy wrap-ups diminish the artistic potential of While We’re Young, as Baumbach doesn’t compromise the film’s abilities as a general crowdpleaser.”
“The beginning of ‘The Wars to Come’ sets the tone for an episode that interlocks present and past while discarding hopeful ideals of a peaceful future.”
“The big reveal in The Jinx was our unending appetite for information.”
VV’s Alamin Yohannes: “With the increase in television shows and amazing talents being showcased, this Golden Globes category is borderline criminal.”
Four episodes in, FOX’s Gracepoint continues to reel me in with outstanding visuals, excellent pacing and perhaps the best all-around cast on television.
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