“Lanthimos examines human emotion as a sort of mask that we wear, stripping his characters of time and place to observe the raw human animal. ‘Poor Things’ might be the purest distillation of this yet.”
“‘Ferrari’ is a mixed portrait; a kind of freeze-frame of 50s masculinity, in all its ruthlessness and moral codes that have not adapted to a less binary society.”
“The lucidity and frankness with which this new wave of filmmakers can dissect their own lives speaks volumes to their talents, boding well for their efforts to come.”