“Sometimes, films set in and around Hollywood manage to capture a sense about the place that’s strange and uncanny, a place in love with its past and afraid of its future, leaving nothing but ghosts behind to haunt the hills, and to walk the empty mansions.”
“The ‘Phantasm’ films may be the best and most consistent source for on-screen existential terror, and their dream logic that allows for numerous interpretations keeps them endlessly watchable.”
“Alverson takes familiar images, milieus and scenarios as a starting point, only to render them alien, jettisoning the usual tenets of narrative cinema in favour of a style that’s far more challenging and hard to define.”
“If David Lynch had set ‘Twin Peaks’ in rural Georgia, then Bambara could have composed the soundtrack.”
Critics in Conversation: Manuela Lazic and Adam Nayman – First Cinematic Loves, Current Inspirations and Finding Your Voice
In the first part of a three-chapter conversation conducted over months via a large Google Doc, film critics Manuela Lazic and Adam Nayman discuss what makes a writer’s voice, colleagues that keep inspiring them and how, a generation apart, they became interested in movies and writing.
In the Vague Visages Writers’ Room on Facebook, freelancers were asked to comment about their favorite neo-noir films in celebration of #Noirvember.
“Phoenix delivers an opaque but strikingly physical performance, reminiscent of the women in Charlie Chaplin’s films.”
In the Vague Visages Writers’ Room on Facebook, freelancers were asked to comment about their favorite Halloween flicks.
“Harry Dean Stanton was dependable, durable and made whatever part his own, no matter how big or small.”
“I felt challenged to endure something so terrifying, so relentlessly destabilizing. I felt fear.”