‘Pavements’ Review: Director Alex Ross Perry Innovates Rock Doc Cinema for the Future
“Perry fully (and successfully) commits to various comedic bits in ‘Pavements’ while documenting Pavementโs 1999 break-up and eventual 2022 reunion.”
Review: Alex Ross Perry’s ‘Her Smell’
โPerry has written an anti-heroine who is wholly clued into her own mythology metaphor, referring to herself and the bandโs circumstances using the self-aggrandizing language of conquests, lore and legacy.โ
TIFF 2018 Review: Brady Corbet’s ‘Vox Lux’
โBy being so lazy and aggressive with his judgment of pop culture, Corbet ends up making a film that is bland in its anger, annoying in its attacks and ridiculous in its contempt for its characters and audience.โ
A Matter of Style: Yasujirล Ozu Covers ‘Christopher Robin’
Michael J. Casey Imagines โChristopher Robinโ in the Style of Yasujirล Ozu
Making a Movie Is Humiliating: Alex Ross Perry on His Career So Far
Julia Yepes Interviews Filmmaker Alex Ross Perry
Vague Visages Writersโ Room: Weekend Vibes 2.16.18
Weekend Vibes is a Friday column about streaming recommendations, new release hype and entertainment events.ย
Oak Cliff Film Festival Review: Alex Ross Perry’s ‘Golden Exits’
“In ‘Golden Exits,’ the miserable find company in the spaces they inhabit. Nothing is shared; nothing is collective.”
Cannes Film Festival Review: Noah Baumbach’s ‘The Meyerowitz Stories’
“Like a classic stand-up comedian, Baumbach is far more interested in observation than hot button provocation.”
รric Rohmer’s Battle of the Sexes
“Rohmer cares more about posing questions than providing the comfort of a conclusion.”
The Feminine Grotesque #8: Kingdom of Rot – On โQueen of Earthโ
A Series by Angelica Jade Bastiรฉn
Review: Bob Byington’s ‘7 Chinese Brothers’
“While framed as a film about learning some great lesson about life and happiness, 7 Chinese Brothers never really builds from this assumed groundwork.”
Review: Alex Ross Perry’s ‘Queen of Earth’
“An intimate character study of a shifting, indefinable character, Queen of Earth pushes the already exceptionally talented Elisabeth Moss to new levels of intense frenzy and naked emotion.”