Remembering Francesco Rosi (November 15, 1922 – January 10, 2015)
Q.V. Hough on the Influence of Francesco Rosi
Q.V. Hough’s Final Golden Globes Predictions
The Golden Globe Awards Air Tonight at 8/7c on NBC
Broken Embraces and Unforgettable Form: Paul Thomas Anderson’s ‘Inherent Vice’
“Joaquin Phoenix delivers yet another iconic performance in ‘Inherent Vice’ and has now become one the most charismatic actors of the last 20 years.”
A Poetic Absence of Presence: Sydney Pollack’s ‘The Yakuza’ (1974)
“The interactions between Mitchum and Takakura offer a jolting look at man’s acceptance of grief, but the technical aspects of The Yakuza transform the film to a higher level.”
An Attractive Fraction: Tim Burton’s ‘Big Eyes’
“‘Big Eyes’ could have become an Oscar contender with more focus on Adams in the final act, rather than a shift towards the public bravado of Waltz’s Walter Keane.”
The Great Enunciation: Seth Rogen and Evan Goldberg’s ‘The Interview’
“The frat house formula doesn’t quite work well enough for ‘The Interview’ to become a modern comedic classic.”
An Unfortunate Case of Severe Holiday Melodrama: Angelina Jolie’s ‘Unbroken’
“Jolie didn’t make a bad movie, and ‘Unbroken’ might have even won Best Picture 20 years ago, but you can’t throw the star under the bus — especially in a biopic — and let the antagonist destroy one of the most powerful scenes.”
Q.V. Hough’s Top 10 Films of 2014
Q.V. Hough’s Top 10 Films of 2014
A ‘Boyhood’ Alternative and Potential Oscar Outcast: Jean-Marc Vallée’s ‘Wild’
“Witherspoon delivers a powerhouse performance in ‘Wild.'”
Some Like It Hot (and Hilarious): Angus MacLachlan’s ‘Goodbye to All That’
“Angus MacLachlan’s ‘Goodbye to All That’ is a witty romance with real-life consequences for millennials to consider.”
The Surprise Gem of 2014: Mark Raso’s ‘Copenhagen’
“‘Copenhagen’ surprised me like no other film in 2014…”
Waiting for the Inevitable: Michael M. Bilandic’s ‘Hellaware’
“An additional 30 minutes would have benefitted ‘Hellaware,’ as Bilandic’s characters unfortunately lack substance, much like his weak portrayal of rural America.”
Sensory Deprivation and Cinema: A Chat with Kristina Buožytė and Bruno Samper of ‘Vanishing Waves’
Q.V. Hough Interviews Directors Kristina Buožytė and Bruno Samper
The Elegant Ingenuity of Sam Esmail’s ‘Comet’
“With ‘Comet,’ Sam Esmail offers a fresh take on romance and allows his stars to shine with ingenuous performances.”
The Golden Globe Nominations Revealed: QVH’s Early Film Predictions
Q.V. Hough Lists His Favorites for the January 11 Show
The Golden Globes Disservice to TV’s Best Supporting Actor/Actress Categories
VV’s Alamin Yohannes: “With the increase in television shows and amazing talents being showcased, this Golden Globes category is borderline criminal.”
Papa’s Goods: The Jax Teller Survival Guide for ‘Sons of Anarchy’ Series Finale
Q.V. Hough on #TheFinalRide
Reality Unleashed in Samuel Kishi’s ‘We Are Mari Pepa’ (2013)
“The more outlandish the dialogue becomes, the more Kishi highlights his tight screenwriting with co-scribe Sofía Gómez-Córdova.”
‘Sons of Anarchy’ Series Finale Preview: The Circle Keeps Spinning (SPOILERS)
Two things happened in the penultimate episode of FX’s Sons of Anarchy that speak volumes about the lead character and the overall theme of the series. All the pieces are now in place for history to repeat itself.
Min’s Primary Style: December 2014 Fashion Boards
The Australian Fashionista Mindy Smith Discusses Her Favorite December Looks
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