“Jolie didn’t make a bad movie, and ‘Unbroken’ might have even won Best Picture 20 years ago, but you can’t throw the star under the bus — especially in a biopic — and let the antagonist destroy one of the most powerful scenes.”
Q.V. Hough’s Top 10 Films of 2014
“Witherspoon delivers a powerhouse performance in ‘Wild.'”
“Angus MacLachlan’s ‘Goodbye to All That’ is a witty romance with real-life consequences for millennials to consider.”
“‘Copenhagen’ surprised me like no other film in 2014…”
“An additional 30 minutes would have benefitted ‘Hellaware,’ as Bilandic’s characters unfortunately lack substance, much like his weak portrayal of rural America.”
Q.V. Hough Interviews Directors Kristina Buožytė and Bruno Samper
“With ‘Comet,’ Sam Esmail offers a fresh take on romance and allows his stars to shine with ingenuous performances.”
Q.V. Hough Lists His Favorites for the January 11 Show
VV’s Alamin Yohannes: “With the increase in television shows and amazing talents being showcased, this Golden Globes category is borderline criminal.”
Q.V. Hough on #TheFinalRide
“The more outlandish the dialogue becomes, the more Kishi highlights his tight screenwriting with co-scribe Sofía Gómez-Córdova.”
Two things happened in the penultimate episode of FX’s Sons of Anarchy that speak volumes about the lead character and the overall theme of the series. All the pieces are now in place for history to repeat itself.
The Australian Fashionista Mindy Smith Discusses Her Favorite December Looks
Gillian Anderson and Jamie Dornan are magical in this twisted crime drama from across the pond.
Q.V. Hough Reviews the 1933 Roy Del Ruth Film
Q.V. Hough on Robert Gist’s Lone Feature Film
“Matti shows no fear by destroying genre cliches in ‘On the Job,’ and his wandering camera opens up the world of Metro Manila while expressing how utterly disposable humans can be under corrupt leadership.”
“Lawrence is simply marvelous again and delivers a surprisingly beautiful vocal performance that demonstrates her well-rounded talent as a performer.”
“With such a powerful concoction of unconventional narrative techniques, ‘Thou Wast Mild and Lovely’ dares the viewer to touch the flame; a 95 minute summer poem of suppressed emotions and blistering paranoia.”
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