Of Love and Other Demons: ‘The Docks of New York’ (Josef von Sternberg, 1928)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“Almost as if something out of a Japanese elementary school history class, Miyazaki’s last Studio Ghibli film leaves me with a great sense of numbness rather than the invigorating wonder I have come to expect from the master of anime.”
A Column on Film Criticism by Justine A. Smith (@redroomrantings)
Two Drink Minimum is a Comedy-Based Column by Jacob Oller.
“Naz is both incredibly lucky and liable to have his luck run out at any minute.”
Ryan E. Johnson on the season finale of AMC’s ‘Preacher.’
“This may be the midpoint of the season, but it already feels like these cycles of self-delusion are about to crash.”
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“Despite being under the ‘Two Drink Minimum’ banner, make no mistake: ‘BoJack Horseman’ is not a comedy.”
“Perhaps not the film for the adventurous young adult, Ponyo proves that remarkable visual inventiveness more-than makes up for candy-sweet morals and glass-fragile plot lines.”
A Column on Film Criticism by Justine A. Smith
“Where Indignation deviates a little from its otherwise classical trappings is in its structure.”
“There’s nothing more indicative of the flaws in HBO’s ‘The Night Of’ than Jack Stone’s eczema.”
“In many ways, the first season of AMC’s ‘Preacher’ has led to a slow descent into damnation for its characters.”
“So, what is it about these two figureheads of cult film that makes them so iconically and definitively camp?”
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Fantasia International Film Festival 2016: Justine A. Smith Interviews Adam Nimoy
“Abandoning messages of environmentalism and nonviolence, ‘Howl’s Moving Castle’ abandons the narrative moralities that typify the director’s style.”
A Column on Film Criticism by Justine A. Smith
“Can hearing something be scarier than seeing something?”